â¦â
The handwritten letters come in the middle of the sequence. Ruth puts them back into order and starts to read:
November 1997
Nelson,
You are looking for Lucy but you are looking in the wrong places. Look to the sky, the stars, the crossing places. Look at what is silhouetted against the sky. You will find her where the earth meets the sky.
In peace.
December 1997
Nelson,
Lucy is the perfect sacrifice. Like Isaac, like Jesus, she carries the wood for her own crucifixion. Like Isaac and Jesus she is obedient to the fatherâs will.
I would wish you the compliments of the season, make you a wreath of mistletoe, but, in truth, Christmas is merely a modern addition, grafted onto the great winter solstice. The pagan festival was here first, in the short days and long nights. Perhaps I should wish you greetings for St Lucyâs day. If only you have eyes to see.
In peace.
January 1998
Dear Detective Inspector Harry Nelson,
You see, I am calling you by your full name now. I feel we are old friends, you and I. Just because Nelson had only one eye, it doesnât follow that he couldnât see. âAman may see how the world goes with no eyes.â
In peace.
January 1998
Dear Harry,
âA little touch of Harry in the night.â How wise Shakespeare was, a shaman for all time. Perhaps it is the wise men â and women â you should be consulting now.
For you still do not look in the right places, the holy places, the other places. You look only where trees flower and springs flow. Look again Harry. Lucy lies deep below the ground but she will rise again. This I promise you.
In peace.
March 1998
Dear Harry,
Spring returns but not my friend. The trees are in bud and the swallows return. For everything there is a season.
Look where the land lies. Look at the cursuses and the causeways.
Ruth stops and reads the last line again. She is so transfixed by the word âcursusesâ that it is a few minutes before she realises that someone is knocking on the door.
Apart from the postman making his surly visits to deliver Amazon parcels, unannounced visitors are almost unheard of. Ruth is irritated to find herself feeling quite nervous as she opens the door.
It is the woman from next door; the weekender who watched her drive off in the police car that morning.
âOh ⦠hello,â says Ruth.
âHi!â The woman flashes her a brilliant smile. She is older than Ruth, maybe early fifties, but fantastically well preserved: highlighted hair, tanned skin, honed figure in low-slung jeans.
âIâm Sammy. Sammy from next door. Isnât it ridiculous that weâve hardly ever spoken to each other?â
Ruth doesnât think it is ridiculous at all. She spoke to the weekenders when they first bought the house about three years ago and since then has done her best to ignore them. There used to be children, she remembers, loud teenagers who played music into the early hours and tramped over the Saltmarsh with surfboards and inflatable boats. There are no children in evidence on this visit.
âEd and I ⦠weâre having a little New Yearâs party. Just some friends who are coming up from London. Very casual, just kitchen sups. We wondered if youâd like to come.â
Ruth canât believe her ears. Itâs been years since sheâs been invited to a New Yearâs party and now she has two invitations to refuse. Itâs a conspiracy.
âThank you very much,â she says, âBut my head of departmentâs having a party and I might have to â¦â
âOh, I do understand.â Sammy, like Ruthâs parents, seems to have no difficulty in understanding that Ruth might want to go to a party from motives of duty alone. âYou work at the university, donât you?â
âYes. I teach archaeology.â
âArchaeology! Ed would love that. He never misses
Time Team
. I thought you might have changed jobs.â
Ruth
Victoria Alexander
Sarah Lovett
Jon McGoran
Maya Banks
Stephen Knight
Bree Callahan
Walter J. Boyne
Mike Barry
Kit Tunstall, R.E. Saxton
Richard Montanari