Runaway

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Authors: Alice Munro
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of his loneliness, his hungry state.
    It was necessary but it hadn’t been easy, it hadn’t been easy at all. In fact it was more of a victory, surely, to stand up to someone in such a state. It was more of a victory than if he had been slick and self-assured. But for a while she would be somewhat miserable.
    There were only two other people sitting in the observation car. Two older women, each of them sitting alone. When Juliet saw a large wolf crossing the snowy, perfect surface of a small lake, she knew that they must see it too. But neither broke the silence, and that was pleasing to her. The wolf took no notice of the train, he did not hesitate or hurry. His fur was long, silvery shading into white. Did he think it made him invisible?
    While she was watching the wolf, another passenger had arrived. A man, who took the seat across the aisle from hers. He too carried a book. An elderly couple followed—she small and sprightly, he large and clumsy, taking heavy disparaging breaths.
    “Cold up here,” he said, when they were settled.
    “Do you want me to go get your jacket?”
    “Don’t bother.”
    “It’s no bother.”
    “I’ll be all right.”
    In a moment the woman said, “You certainly do get a view here.” He did not answer, and she tried again. “You can see all round.”
    “What there is to see.”
    “Wait till we go through the mountains. That’ll be something. Did you enjoy your breakfast?”
    “The eggs were runny.”
    “I know.” The woman commiserated. “I was thinking, I should just have barged into the kitchen and done them myself.”
    “Galley. They call it a galley.”
    “I thought that was on a boat.”
    Juliet and the man across the aisle raised their eyes from their books at the same moment, and their glances met, with a calm withholding of any expression. And in this second or two the train slowed, then stopped, and they looked elsewhere.
    They had come to a little settlement in the woods. On the one side was the station, painted a dark red, and on the other a few houses painted the same color. Homes or barracks, for the railway workers. There was an announcement that there would be a stop here for ten minutes.
    The station platform had been cleared of snow, and Juliet, peering ahead, saw some people getting off the train to walk about. She would have liked to do this herself, but not without a coat.
    The man across the aisle got up and went down the steps without a look around. Doors opened somewhere below, bringing a stealthy stream of cold air. The elderly husband asked what they were doing here, and what was the name of this place anyway. His wife went to the front of the car to try to see the name, but she was not successful.
    Juliet was reading about maenadism. The rituals took place at night, in the middle of winter, Dodds said. The women went up to the top of Mount Parnassus, and when they were, at one time, cut off by a snowstorm, a rescue party had to be sent. The would-be maenads were brought down with their clothes stiff as boards, having, in all their frenzy, accepted rescue. This seemed rather like contemporary behavior to Juliet, it somehow cast a modern light on the celebrants’ carrying-on. Would the students see it so? Not likely. They would probably be armed against any possible entertainment, any involvement, as students were. And the ones who weren’t so armed wouldn’t want to show it.
    The call to board sounded, the fresh air was cut off, there were reluctant shunting movements. She raised her eyes to watch, and saw, some distance ahead, the engine disappearing around a curve.
    And then a lurch or a shudder, a shudder that seemed to pass along the whole train. A sense, up here, of the car rocking. An abrupt stop.
    Everybody sat waiting for the train to start again, and nobody spoke. Even the complaining husband was silent. Minutes passed. Doors were opening and closing. Men’s voices calling, a spreading feeling of fright and agitation. In the club car,

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