Rose for Winter

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Authors: Laurie Lee
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droppings of birds; the door-pulleys were frayed and broken; a wrought-iron bull’s-head over the entrance wore a flaking skin of rust.
    â€˜In summer,’ said the old sister, ‘when it is possible, and if the agriculture is right, and if the campesinos have money – then we hold a corrida.’ Her hairless eyes blinked about her with anxious pride, and the bright sun shone on the broken seats, the weeds and the grass, and on the sagging doorway to the pits through which the huge black bulls once made their thundering entrances. ‘You should have come thirty years ago,’ she said. ‘How precious it was.’ She talked with a faint whispering sadness, her head on one side, half smiling, remembering and listening to the time; hearing again the dead crowds roar on those electric afternoons; sitting once more in her Easter dress, the round flesh back on her shrunken bones, her cheeks flushed from a dedication. She was the shrivelled spirit of the place. She fluttered her hands in sun and shadow. Here men and bulls had died before her eyes. And the flowers in summer were most beautiful to see. There, in that courtyard, they quartered the dead beasts – the best in Spain, the biggest and most barbarous. To that little room, she said, El Chico was carried, blood on his shirt, sweat on his long green face. In her comb and shawl she had run to the well, fetched water for him, and held his hand in his final panic. But he died. Those summers were all hot dust and glory. Would the agriculture ever be right again? Would the farmers ever return from the hills calling again for bulls? She shook her frail head and wondered and locked the great door and took us back to the little garden. There she gave us two sweet oranges from a tree, and wished us good-bye. She would not accept a tip.
    On our last night in Ecija came a message from the telephone exchange to say that the Superintendent had killed a pig and that we must go and help to eat it. The Superintendent, an old friend now, was a lady of rare vitality who knew and could sing the whole of ‘The Fair Maid of Perth’. She had six nieces to help her with the telephones, and the exchange was a merry place, much given to gossip, card-playing and long delays. We arrived to find the telephone lines choked, and a great feast of pork, butter-cakes and coñac spread out among the instruments. All the nieces were screechingly gay, except for the beautiful Lola, whose boy friend, a dentist, was late.
    This boy was normally her greatest pride, for he was a youth of some versatility and could, it was claimed, speak English. This was true enough, in a way. But although his voice was perfectly normal when talking Spanish, he spoke English in a faint, high-pitched, tinny whine which was well-nigh indecipherable. This mystified me at first, until I discovered that he had learnt his English from an antique pre-1920 gramophone and could only be said to be suffering from too good an ear.
    But this dentist was devoted to Lola, and spent most of the hours of courtship in his surgery gazing into her mouth. They thus enjoyed a unique, almost speechless intimacy. Yet tonight, when he arrived, Lola blazed with fire and fury and would have nothing to do with him. For a while he did card tricks, to try to curry favour, but no one took any notice. Meanwhile the aunt entertained by dancing, dressing up and singing down the telephones. But still Lola’s great eyes glowered above the feast. The aunt wrung her hands in dismay and brought more pork, even photographs of her dead relations. Until the dentist, grown desperate at last, threw down his cards and produced from his pocket a plaster cast of Lola’s teeth. ‘Here you are,’ he said, blushing angrily. ‘I had meant to give it you for Christmas.’ But all was now well. Everyone exclaimed with admiration, and Lola took his arm, laughing deep in her throat, and would not leave his side again for the

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