Rex Stout - Nero Wolfe 27
now.”
    “Yes.”
    “That should be a cinch. She’s probably sittingthere hoping a couple of strange detectives will drop in. Do I have to be Judge Goodwin?”
    “No. We are ourselves.”
    As I drove downtown on Park, and east on Seventy-fourth to Third Avenue, and down a block, and west on Seventy-third, I considered the approach to Robina Keane. By not specifying it Wolfe had left it to me, so it was my problem. I thought of a couple of fancy strategies, but by the time I got the car maneuvered to the curb in the only vacant spot between Lexington and Madison I had decided that the simplest was the best. After asking Wolfe if he had any suggestions and getting a no, I walked to Lexington and found a booth in a drugstore.
    First I called Saul Panzer. There had been no word from the Queen of Hearts, but she had said around nine o’clock and it was only eight-forty. Sergeant Stebbins had been and gone. What he had said was that the police were concerned about the disappearance of Nero Wolfe because he was an important witness in a murder case, and they were afraid something might have happened to him, especially since Archie Goodwin was also gone. What he had not said was that Inspector Cramer suspected that Wolfe had tramped out of the courtroom hell-bent on messing the case up, and he wanted to get his hands on him quick. Had Wolfe communicated with Saul, and did Saul know where he was? There was a warrant out for both Wolfe and Goodwin. Saul had said no, naturally, and Purley had made some cutting remarks and left.
    I dialed another number, and when a female voice answered I told it I would like to speak to Mrs. Ashe. It said Mrs. Ashe was resting and couldn’t come to the phone. I said I was speaking for Nero Wolfe and it was urgent and vital. It said Mrs. Ashe absolutely wouldnot come to the phone. I asked it if it had ever heard of Nero Wolfe, and it said of course. All right, I said, tell Mrs. Ashe that he must see her immediately and he can be there in five minutes. That’s all I can tell you on the phone, I said, except that if she doesn’t see him she’ll never stop regretting it. The voice told me to hold the wire, and was gone so long I began to wish I had tried a fancy one, but just as I was reaching for the handle of the booth door to let in some air it came back and said Mrs. Ashe would see Mr. Wolfe. I asked it to instruct the lobby guardians to admit us, hung up, went out and back to the car, and told Wolfe, “Okay. You’d better make it good after what I told her. No word from Helen Weltz. Stebbins only asked some foolish questions and got the answers he deserved.”
    He climbed out, and we walked to the number. This one was smaller and more elegant, too elegant for rugs. The doorman was practically Laurence Olivier, and the elevator man was his older brother. They were chilly but nothing personal. When we were let out at the sixth floor the elevator man stayed at his open door until we had pushed a button and the apartment door had opened and we had been told to enter.
    The woman admitting us wasn’t practically Phyllis Jay, she was Phyllis Jay. Having paid $4.40 or $5.50 several times to see her from an orchestra seat, I would have appreciated this free close-up of her on a better occasion, but my mind was occupied. So was hers. Of course she was acting, since actresses always are, but the glamour was turned off because the part didn’t call for it. She was playing a support for a friend in need, and kept strictly in character as she relieved Wolfe of his hat and cane and then escorted us into a big living room, across it, and through an arch into a smaller room.
    Robina Keane was sitting on a couch, patting at her hair. Wolfe stopped three paces off and bowed. She looked up at him, shook her head as if to dislodge a fly, pressed her fingertips to her eyes, and looked at him again. Phyllis Jay said, “I’ll be in the study, Robbie,” waited precisely the right interval for a request to stay,

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