sister.”
Deciding we had nothing to lose, we went to the front gate and pressed a button on a call box mounted to the faded stone wall. Through the iron gate I could see a small slice of the front of the house, which was built of the same material as the wall. The upper story was plastered, but the lower was not and the tawny stone had the mellow, soft look of rock that’s been in the weather a long time.
I heard something mechanical move and looked up to see a small camera in a steel housing turn our way from the top of the gatepost, sheltered by palm fronds. The gate buzzed and fell open a half inch. We glanced at each other and walked into the yard, closing the gate behind us.
The front yard had been cultivated into a neat lawn bounded by the palms and a close-growing row of prickly pink rosebushes that hugged the wall. The perfume of jasmine drifted on a breeze from the sea that snuck over the wall behind the house. We got only a few steps up the laid-stone path before the front door opened and a young brunette stepped out with a baby in her arms.
“Jay!” she shouted, running toward us as fast as the jiggling weight of the baby would allow. I had to remind myself that only I and my lover’s underground friends called him “Quinton”; to most of the rest of world he was either James Jason Purlis, deceased, or Reggie McCrea Lassiter, depending on whom you asked.
Sam was slim and short—her head wouldn’t have come up to my cheek. I stood still and watched her in silence as she closed the distance to her brother, and I thought that they looked more alike than I would have expected even of siblings. She moved awkwardly, as if her knees and ankles didn’t work quite right, and yet her demeanor was confident, the energy around her predominantly cool and calm with only threads and occasional sparks of orange anxiety and scarlet anger.
“Hey, short-stuff!” Quinton replied, removing his hat, his face alight at seeing her even in these circumstances.
She stopped short in front of him and raised her eyebrows—the expression was exactly like one of her brother’s. “‘Short-stuff’? Just for that, you get to hold Martim—he’s wet. You have spectacularly bad timing, big brother.”
“At least it’s some kind of spectacular,” he said, returning the hat to his head and accepting the squirming bundle of baby, who began to wail the moment he was no longer in his mother’s arms. “Oh boy, you weren’t kidding. He is wet,” Quinton said, holding the baby out in front of him.
Sam gave him a hard look and scooped Martim back onto her hip. “That’s not how you hold a baby.”
Quinton grinned at her. “I know, but now I’m not the one holding him.”
“Sneaky, big brother. Very sneaky. Come on inside and we’ll change him.”
“We?”
“Yes. It’s your penance.” She looked at me. “You must be Harper.”
I nodded. “I am. And I’m terrible at changing babies, unless you mean in some existential kind of way.”
Sam forced a laugh, her aura jumping a little. She was trying very hard to make the scene look good for the neighbors, but playing nice with a stranger was difficult under the circumstances. “You don’t have to change anything. You look exactly as I knew you would.”
She turned to lead us inside before I could ask what that was.
The house was old—European old, not American old—and had a thin, clinging film of history that wasn’t particularly dramatic. Sam noticed me looking around the wood-and-stone interior.
“It’s mostly restored to the original—or as close as we could getand still be practical,” she said. “It used to be the vineyard manager’s house when the estate was still producing wine.”
“It’s lovely,” I said. I really did like it—I have a taste for old things and not much appreciation for things sleek and modern—and the house was warm and cozy. It hadn’t been a perfectly happy place all of its existence, judging from the energetic
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