smile, "all these masterpieces are much more bearable." And you added, in a voice that seemed to be hesitating over the need for these words, "I'm older than you. My childhood was in the first years after the war. Poverty that made us gnaw stones. I can remember the rare few days when we 'weren't hungry. Real treats. And worst of all, no toys. We didn't know what they were. And then one day someone brought us a box filled with treasures for the New Year: brand new tops that still smelled of paint. Exactly like that one just now. Later on, when they started making dolls and all the rest, we were already too old for toys…"
I was on the brink of telling you that, despite those few years' difference between us, I too had known those great tops and that I loved their smell and even the clatter they made. I said nothing because then I should have had to talk about the child lost in the night in the Caucasus. And yet for the first time in my life that past now seemed to me admissible.
We never know where objects and gestures from the past will one day rise to the surface again, nor how, in the accumulation of years we have lived through. The spinning top in the Berlin art gallery came back to my mind three years later in the middle of that great war-torn African capital. The soldiers who had that day come to search the house where we were living went away carrying our few possessions with them. Two or three garments, a television set, some paper money you had purposely left out on the desk. As they left they were caught in the fire of a heavy machine gun that suddenly raked the fronts of the houses from the end of the street. The group scattered to recover their breath in a narrow alley. Only the last of them was hit as he ran. Caught on his side, he began turning around on the spot, his arms open wide and still laden with confiscated objects. Bullets of this caliber often transform the movements of a person running into a swift waltzing motion, like a top, I thought, and I saw the same memory reflected in your eyes.
During the search they had made me stand facing the wall, like a child being punished. As the mistress of the house you were from time to time asked to open a drawer, offer a glass of water. You performed these tasks without ever interrupting the swishing of an improvised fan: some of the revolutionary leaflets with which the streets were strewn and which had made their way into the houses through broken windows. Between these sheets of paper you had slipped the photos and coded messages that we had neither had time to send to the Center nor to burn. That would have been the one really dangerous discovery. Curiously enough, those leaflets in your hand wove a fragile protective zone around our lives that clearly made the soldiers uneasy. I sensed this tension, I understood it in these young armed men. They were struggling against the temptation to fire a short burst, which would have freed them from our watching eyes and restored the joyful savagery to their looting. But there were these slogans for revolutionary justice, freshly printed on the fan of leaflets. There was also the loudspeaker on a truck that had been showering the streets with appeals for calm and proclaiming the benefits of the new regime ever since the morning. Turning my head slightly, I could see hands stuffing into the bag a transistor, a jacket, and even the lamp clamped to the edge of the table, which you were helping to unfasten, while successfully avoiding giving an indication of the comic side of your involvement. You knew that the slightest change of mood might provoke the pent-up anger and the brief spitting of an automatic rifle. The soldier who removed the lamp also expropriated the banknotes left out on the desk. And, as this action looked more like simple theft than the others that had preceded it, he thought it politic to justify it by talking, in tones both menacing and moralistic, about corruption, imperialism, and
Shane Peacock
Leena Lehtolainen
Joe Hart
J. L. Mac, Erin Roth
Sheri Leigh
Allison Pang
Kitty Hunter
Douglas Savage
Jenny White
Frank Muir