gold
.
7
LAZARUS
I do not see Eo in death. My kin believe we see our loved ones when we pass on. They wait for us in a green vale where woodfire smoke and the scent of stews thicken the air. There is an Old Man with dew on his cap who makes safe the vale, and he stands with our kin waiting for us along a stone road beside which sheep graze. They say the mist there is fresh and the flowers sweet, and those who are buried pass along the stone road faster.
But I do not see my love. I do not see the vale. I see nothing but phantom lights in darkness. I feel pressure, and I know, as would any miner, that I am buried beneath the earth. I loose a soundless scream. Dirt enters my mouth. Panic fills me. I cannot breathe, cannot move. The earth hugs me till finally I claw my way free, feel air, gasp oxygen, pant and spit dirt.
It is minutes before I look up from my knees. I crouch in an abandoned mine, an old tunnel long deserted but still connected to the ventilation system. It smells of dirt. A single flare burns beside my grave, splaying weird shadows over the walls. It singes my sight like the sun did as it rose over Eo’s grave.
I’m not dead.
The realization takes longer in coming than one might have thought. But there’s a bloody wound around my neck where the rope cut the skin. There’s dirt in the lashes on my back.
Still, I’m not dead.
Uncle Narol didn’t pull my feet hard enough. But surely the Tinpots would have checked, unless they were lazy. Not a stretch to think that, but something else is at play. I was too woozy when I walked to the gallows. I feel something in my veins even now, a lethargy as though I’ve been drugged. Narol did this. He drugged me. He buried me. But why? And how would he escape being caught when he pulled my body down?
When a low rumbling comes from the darkness beyond the flare, I know I will have answers. A tumbler, like a metal beetle on six wheels, crawls over the crest of a long tunnel. Its front grille hisses steam as it comes to a stop in front of me. Eighteen lights singe my vision; shapes exit the sides of the vehicle, cutting across the glare of the headlights to grab me. I’m too stunned to resist. Their hands are callused like miners’ and their faces are covered with Octobernacht demon masks. Yet they move me gently, guiding instead of forcing me into the tumbler’s hatch.
Inside the tumbler, the globe light is red and bloody. I sit in a worn metal bucket seat across from the two figures that fetched me from my grave. The female’s mask is pale white and gold, horned like a cacodemon. Her eyes glitter darkly out from the eyeholes. The other figure is a timid man. He’s willowy and quiet, seemingly frightened of me. His snarling batface mask can’t conceal his shy glances or the way in which he hides his hands—a trait of the frightened, as Uncle Narol always claimed when he taught me to dance.
“You’re Sons of Ares, aren’t you?” I guess.
The weakling flinches, while the woman’s eyes are mocking.
“And you’re Lazarus,” she says. I find her voice cold, lazy; it plays with the ears as a cat plays with a caught mouse.
“I am Darrow.”
“Oh, we know who you are.”
“Don’t tell him anything, Harmony!” the weakling gibbers. “Dancer didn’t tell us to discuss anything with him till we get home.”
“Thank you,
Ralph
.” Harmony sighs at the weakling and shakes her head.
After realizing his error, the weakling shifts uncomfortably in his bucket seat, but I’ve stopped paying him any mind. Here, the woman is king. Unlike the weakling’s, her mask is like that of an old crone, one of the witches of Earth’s fallen cities who made soup from the marrow of children’s bones.
“You’re a mess.” Harmony reaches to touch my neck. I grab her hand and squeeze. Her bones are brittle as hollow plastic in a Helldiver’s hand. The weakling reaches for his thumper, but Harmony motions him to calm down.
“Why am I not dead?” I ask. After
.
7
LAZARUS
I do not see Eo in death. My kin believe we see our loved ones when we pass on. They wait for us in a green vale where woodfire smoke and the scent of stews thicken the air. There is an Old Man with dew on his cap who makes safe the vale, and he stands with our kin waiting for us along a stone road beside which sheep graze. They say the mist there is fresh and the flowers sweet, and those who are buried pass along the stone road faster.
But I do not see my love. I do not see the vale. I see nothing but phantom lights in darkness. I feel pressure, and I know, as would any miner, that I am buried beneath the earth. I loose a soundless scream. Dirt enters my mouth. Panic fills me. I cannot breathe, cannot move. The earth hugs me till finally I claw my way free, feel air, gasp oxygen, pant and spit dirt.
It is minutes before I look up from my knees. I crouch in an abandoned mine, an old tunnel long deserted but still connected to the ventilation system. It smells of dirt. A single flare burns beside my grave, splaying weird shadows over the walls. It singes my sight like the sun did as it rose over Eo’s grave.
I’m not dead.
The realization takes longer in coming than one might have thought. But there’s a bloody wound around my neck where the rope cut the skin. There’s dirt in the lashes on my back.
Still, I’m not dead.
Uncle Narol didn’t pull my feet hard enough. But surely the Tinpots would have checked, unless they were lazy. Not a stretch to think that, but something else is at play. I was too woozy when I walked to the gallows. I feel something in my veins even now, a lethargy as though I’ve been drugged. Narol did this. He drugged me. He buried me. But why? And how would he escape being caught when he pulled my body down?
When a low rumbling comes from the darkness beyond the flare, I know I will have answers. A tumbler, like a metal beetle on six wheels, crawls over the crest of a long tunnel. Its front grille hisses steam as it comes to a stop in front of me. Eighteen lights singe my vision; shapes exit the sides of the vehicle, cutting across the glare of the headlights to grab me. I’m too stunned to resist. Their hands are callused like miners’ and their faces are covered with Octobernacht demon masks. Yet they move me gently, guiding instead of forcing me into the tumbler’s hatch.
Inside the tumbler, the globe light is red and bloody. I sit in a worn metal bucket seat across from the two figures that fetched me from my grave. The female’s mask is pale white and gold, horned like a cacodemon. Her eyes glitter darkly out from the eyeholes. The other figure is a timid man. He’s willowy and quiet, seemingly frightened of me. His snarling batface mask can’t conceal his shy glances or the way in which he hides his hands—a trait of the frightened, as Uncle Narol always claimed when he taught me to dance.
“You’re Sons of Ares, aren’t you?” I guess.
The weakling flinches, while the woman’s eyes are mocking.
“And you’re Lazarus,” she says. I find her voice cold, lazy; it plays with the ears as a cat plays with a caught mouse.
“I am Darrow.”
“Oh, we know who you are.”
“Don’t tell him anything, Harmony!” the weakling gibbers. “Dancer didn’t tell us to discuss anything with him till we get home.”
“Thank you,
Ralph
.” Harmony sighs at the weakling and shakes her head.
After realizing his error, the weakling shifts uncomfortably in his bucket seat, but I’ve stopped paying him any mind. Here, the woman is king. Unlike the weakling’s, her mask is like that of an old crone, one of the witches of Earth’s fallen cities who made soup from the marrow of children’s bones.
“You’re a mess.” Harmony reaches to touch my neck. I grab her hand and squeeze. Her bones are brittle as hollow plastic in a Helldiver’s hand. The weakling reaches for his thumper, but Harmony motions him to calm down.
“Why am I not dead?” I ask. After
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