dollars each, then wrestle money from pockets.
The German volunteers to search for the captain. âStupendous! Marvellous!â he says as he ambles off.
âAnd you, sir? What of you?â Eugene asks the sad-faced man who has just entered. âShall we call your mine The-Close-at-Hand?â The man scowls, makes a rude gesture at which Eugene only laughs. Poor bastard. Apparently he had thought he would be let off directly at the mines. Did not realize there was a five hundred mile march before him. âQuite so, but one should be better informed. One should be better prepared,â Eugene says this quietly, so as not to be heard, not a difficult feat as words, unless loudly spoken, are being swept up in the general din of the festive.
The German returns with a man whose uncovered head shows a scalp afflicted with a rash. âThe Captain not come. But Mr. Fere, he is the purser, heâll make it for a dollar, to take out the winnings.â
The others agree and then the ludicrous foul-mouthed American shouts: âThe Jessica Bell!â
Eugene stays with his original choiceâThe Croesus Cache. The Welsh brothers come up with Hawddamor. A Frenchman calls out Marseille. A Spaniard, Santa Maria. The German begs off, saying something about boots. He settles back with a cough and watches the proceedings with a lively interest, as if he had been the one to think of the contest entirely.
The purser stares at them sourly. Eugene knows he has lost already. He decided on The Croesus Cache in the assumption that the captain, teeth-picking aside, would have some education. But how would this grey-faced drone know of an ancient king said to have incalculable wealth? Ah, well, heâll know less of some backwater French city trod on by history and happenstance. And he does not seem a religious man either, given the cursing Eugene heard from him earlier. The Spaniard is out, then. And by the way he stared at the Welsh brothers, Eugene doubts he has time for the delightful, mysterious rhythms of languages not his own.
âThe Jessica Bell. Iâll be picking that one. Womenâs what weâre needing âround here. Not more men with their heads stuck in the clouds.â
âI knew it,â Eugene says. âTo women. The lovely devils. Congratulations Mr. . . . Mr.?â
âOswald. Ainât Mr. Nothing. Oswald is god-blamed all.â
âAh, then congratulations, Oswald.â Eugene raises his glass. The American takes little note of this sportsmanship. Instead he scoops up his winnings, nearly forgetting to give the dollar to the purser who is standing by with one long hand open.
âA song now, friends!â Eugene shouts.
Faintly as tolls the evâng chimes
Our voices keep tune and our oars keep time
Soon as the woods on shore look dim,
Weâll sing at ta da, ta da, Ah, hell
Row, brothers, row, the streams runs fast
The rapids are near, and the daylightâs gone, no,
past, the daylightâs past.
He sings the lyrics more or less on his own, though the others heartily join in the chorus. The German grabs one of the Welsh brothers and leads him in a dance. The Welshman grimly follows his steps. Puffs of soot rise under their boots. Les Canadiens thump their glasses, then join in the dancing. Oswald pulls out a mouth harp and plays, to Eugeneâs surprise, not badly at all.
There are more songs, more drinks, more dancing. The saloon floor shudders, rocks. Eugene learns a Scottish jig, a Canadian reel. The German is his partner now. The man insists on leading, treads heavily on Eugeneâs boots, smells of camphor and mint. Eugene begs off and grabs a jug that is being passed about. His glass. Damn. Where? Ah, well. He tilts the jug back, looks full into a lamp that sways as if in gentle disapproval. This night is nearly as splendid as that soiree aboard the SS Grappler . As usual, Dora cared little for propriety, nor did she notice the
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