Tags:
Fiction,
Literary,
General,
Psychological,
Romance,
American Fiction,
Modern fiction,
Middle Class Men,
Midlife crisis,
Harry (Fictitious character),
Angstrom
the main deal, mellow patties or whatever."
The tears do come; the kid's tense face breaks. "You promised," he sobs, unanswerably, and hides his face against the white bare wall.
"Nelson, I am disappointed in you," Janice tells him.
Stavros says to Rabbit, tucking that pencil behind his ear again, "If you want to run now, she could get her coffee and I'll drop her-off at the movie house in ten minutes."
"That's a possibility," Janice says slowly, her face opening cautiously, a dull flower.
Rabbit tells Stavros, "O.K., great. Thanks. You're nice to do that. You're nice to put. up with us at all, sorry if I said anything too strong. I just can't stand to hear the U. S. knocked, I'm sure it's psychological. Janice, do you have money? Charlie, you tell her how much we owe."
Stavros repeats that masterful small gesture of palm outward, "You owe zilch. On me." There can be no argument. Standing, himself in a hurry to see the cave men (raw meat? a bone turning into a spaceship?), Rabbit experiences, among them here, in this restaurant where the Penn Park couple are paying their bill as if laying _a baby to rest, keen family happiness: it prompts him to say to Janice, to cheer Nelson up further, "Remind me tomorrow to call your father about those baseball tickets."
Before Janice can intervene, Stavros says, everybody anxious now to please, "He's in the Poconos."
Janice thought when Charlie calls Harry "paleface" it's the end, from the way Harry looked over at her, his eyes a frightening icy blue, and then when Charlie let that slip about Daddy being away she knew it was; but somehow it isn't. Maybe the movie numbs them. It's so long and then that psychedelic section where he's landing on the planet before turning into a little old man in a white wig makes her head hurt, but she rides home resolved to have it out, to confess and dare him to make his move back, all he can do is run which might be a relief. She has a glass of vermouth in the kitchen to ready herself, but upstairs Nelson is shutting the door to his room and Harry is in the bathroom and when she comes out of the bathroom with the taste of toothpaste on top of the vermouth Harry is lying under the covers with just the top of his head showing. Janice gets in beside him and listens. His breathing is a sleeping tide. So she lies there awake like the moon.
In their ten though it became twenty minutes over the coffee together she had told Charlie she had thought it reckless of him to come to the restaurant when he had known she was bringing them and he said, in that way he has of going onto his dignity, his lips pushing out as if holding a lozenge and the hunch of his shoulders a bit gangsterish, that he thought that's what she wanted, that's why she told him she was going to talk them into it. At the time she thought silently, he doesn't understand women in love, just going to his restaurant, eating food that was him, had been enough an act of love for her, he didn't have to make it dangerous by showing up himself. It even coarsened it. Because once he was physically there all her caution dissolved, if instead of having coffee with her he had asked her to go to his apartment with him she would have done it and was even mentally running through the story she would have told Harry about suddenly feeling sick. But luckily he didn't ask; he finished the coffee and paid the whole bill and dropped her off under the stumpy marquee as promised. Men are strict that way, want to keep their promises to each other, women are beneath it, property. The way while making love Charlie sells her herself, murmuring about her parts, giving them the names Harry uses only in anger, she resisted at first but relaxed seeing for Charlie they were a language of love, his way of keeping
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