new inhabitants lived. In the absence of any signs of an obvious ‘colonists’ quarter’ inside the city, one recent idea is that they largely had their property and land, smallholdings or grander villas, in the surrounding countryside. This is a convenient solution to a nagging problem, but only a partial one. Some of the colonists must have lived within the walls. Good candidates for the property of the richest among them, though certainly not the rank and file, are the range of houses built on the coastal side of the city (the House of the Golden Bracelet and its neighbours). These were sited directly over the city wall – no longer a strategic necessity once Pompeii was part of a supposedly peaceful, Roman Italy – multi-storey structures, built onto land sharply sloping down to sea-level, with a total floor area sometimes not far short of the House of the Faun. Magnificent entertainment suites, with large windows and terraces, opened onto what must once have been a spectacular beach and sea view (Ill. 15). Sadly these houses are not regularly open to visitors. For, with their many levels, their labyrinthine corridors and stairways, not to mention the panoramic vistas (whoever said Romans did not care for scenery?), they offer a dramatic alternative to the standard image of a Roman house. They must have been some of the most fashionable pieces of real estate in the town.
In some ways, the arrival of the colony simply speeded up a process of ‘Romanisation’ that was already underway in the town. After all, unless that particular mosaic is a later insertion, the owner of the House of the Faun had chosen to greet his visitors in Latin ( HAVE ) as early as the second century BCE. And some of the wave of early first-century public buildings may actually have predated the arrival of the colonists, rather than (as is often assumed) being their initiative. The truth is that, unless there is firm evidence in an inscription, it is very hard to be precise about the date of these buildings, one side or the other of the foundation of the colony. The argument for making many of them the work of the colonists is almost entirely circular, even if not necessarily wrong (the colonists were avid builders; all buildings of the early first-century BCE are therefore the work of the colonists; this in turn proves that the colonists were avid builders). It is still disputed, for example, whether the temple of Jupiter, Juno and Minerva which dominates one end of the Forum was a colonial foundation (one archaeologist has recently claimed that its unit of measurement appears to be the ‘Roman foot’, suggesting a Roman construction), or whether it was an earlier temple already dedicated to Jupiter alone, later adapted to that characteristically Roman divine triad. There was, unsurprisingly given Rome’s growing influence, a good deal of ‘self-Romanisation’ going on in ‘pre-Roman’ Pompeii.
15. Located on the western edge of the city, above the old city wall, the House of Fabius Rufus enjoyed a enviable view over the sea. It was designed to make the most of this, with large windows and terraces.
Yet, true as it is, that picture tends to underestimate the degree of conflict which existed in the first years of the colony between the Roman newcomers and the Oscan inhabitants. This was partly a cultural clash, no doubt; though I suspect that the view, held by some modern historians, that the sophisticated, theatre-loving Pompeians found the brutish Amphitheatre-loving veterans a bit hard to take, is as unfair to the veterans as it is over-generous to the Pompeians. More to the point, the incomers seem, for a time at least, to have seized day-to-day political control of the town, to the exclusion of its old residents.
There are signs of this exclusion on the site itself. The names of the town’s elected officials that survive from the first decades of the colony include none of the traditional Oscan family names, but are solidly
Angus Watson
Phil Kurthausen
Paige Toon
Madeleine E. Robins
Amy McAuley
Robert J. Sawyer, Stefan Bolz, Ann Christy, Samuel Peralta, Rysa Walker, Lucas Bale, Anthony Vicino, Ernie Lindsey, Carol Davis, Tracy Banghart, Michael Holden, Daniel Arthur Smith, Ernie Luis, Erik Wecks
S.K. Epperson
Kate Bridges
Margaret Peterson Haddix
Donna White Glaser