guerrilla musicians. Telling people to avoid this neighborhood. Calling for cameras. Medics and legal observers. Says to blockade cops from arresting demonstrators harassing people in the Theater District. Whoâs this from?â
âThe crazies. The cops arenât the only ones who learned from Seattle. The anarchists have their own MACC-type media center. They tell the activists what routes to take to stay away from the cops. While we shut down one operation, theyâre starting another.â He laughed. âWeâre spending multimillions each year on security measures, and they use technology thatâs practically free.â
âDonât they know you can read the same messages?â
âSure. But the demonstrations are more spontaneous, so weâre always playing cat-and-mouse games with each other. Intel is the name of the game. Theyâre fast, but it comes down to numbers. Weâve got thirty-seven thousand cops, a blimp, helicopters, video cameras and two hundred of our guys have helmet video cameras connected to the security nerve center.â
âCanât they monitor the police scanners?â
âWe know that they do. Rapid response is the key. You know what they say in a fight, a good big guy can beat a good little guy any day. On a level playing field, weâre going to win.â
Barnes handed the phone to Malloy. âThis appears to be for you.â
The text printed on the message screen had changed.
GOOD MORNING, NOMAD. OR SHOULD WE CALL YOU FRANK, MR. MALLOY?
âHuh?â Malloy said. He looked at the phone in his hand as if it had turned to a snake.
âHow the hell are they doing this?â he said, turning to Barnes. The reporter shrugged and made some notes. Malloy tried to clear the screen, but a new message came on.
PLAY TIME.
The screen went blank. Malloy snatched up the radio and tried to call MACC, but the call wouldnât go through. The cell phone rang again. Malloy listened a few moments, and said, âIâll get right on it.â He turned to Barnes, his face pale. âThat was MACC. They say that the air-conditioning broke down in the nerve center. The communications are going haywire. No one knows where the squads are. Traffic lights have gone red all over town.â
They were approaching Times Square. Hundreds of demonstrators, apparently unimpeded by the police, were pouring into the square from the side streets. The square was as crowded as New Yearâs Eve.
Malloyâs cruiser moved slowly through the mob that surged around it. As they approached the old New York Times Building, the huge video screen stopped showing a Disney character and went black.
âHey, look at that,â Barnes said, pointing at the screen.
Big letters had appeared in white, streaming across the ABC News Spectacular sign.
GREETINGS, NEO-ANARCHISTS, FELLOW TRAVELERS AND TOURISTS. WE HAVE SHUT DOWN THE OPPRESSIVE ARMIES OF THE POWER ELITE. THIS IS A SMALL TASTE OF THE FUTURE. TODAY ITâS NEW YORK. NEXT WEâLL SHUT DOWN THE WORLD. CONVENE A SUMMIT CONFERENCE TO DISMANTLE THE FRAMEWORK OF GLOBALIZATION OR WEâLL DISMANTLE IT FOR YOU.
HAVE A NICE DAY!
A smiley face with horns appeared, then a single word:
LUCIFER.
âWho the hell is Lucifer ?â Malloy said, staring through the windshield.
âBeats me,â Barnes said. He reached for the door handle. âThanks for the ride. Iâve got to file a story.â
Then the word disappeared, and FRANK MALLOY appeared simultaneously on every sign of every size on the square. Panasonic. LG. NASDAQ.
Malloy cursed and scrambled out of the car. He scanned the milling crowd. Barnes had been swallowed up among the thousands of protesters. He muttered the name âLuciferâ and a chill ran up his spine. It came to him where he had seen the reporterâs face. The pointed beard, the red hair and the V -angled brows and mouth and the green eyes had
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