do you live here?" Gorse demanded.
"Anywhere is as good as anywhere else," Godwin sighed, closing the door
of the cab and announcing their destination. He was getting bored with
her inability to see what to him was plain as pikestaffs.
At least she took the hint and held her tongue for the duration of
the journey.
The taxi dropped them in the Sunday vacancy of Wimpole Street. Gray
stone façades frowned down as they made their way to the house where --
as reported by a discreet, well-polished brass plate -- Dr. Hermann
Klosterberg maintained his consultancy.
"I wish I knew why you'd brought me here," Gorse complained as she
followed reluctantly in Godwin's wake.
"I already told you" was his sour reply. But his mood was already changing,
precisely as he had expected, and it took no more than a glance to inform
him that hers was also.
Set between ranked wrought-iron railings, the richly colored teak door
opened to his touch. There was time to glimpse a high-ceilinged hallway
with a fine Persian carpet on the floor and several eighteenth-century
landscapes in thickly gilded frames before he ushered her into the first
room on the right.
This too was high-ceilinged, but nonetheless it was dark. The walls were
papered with a somber pattern; the furniture was of an old-fashioned
solidity; the curtains were of dark green velvet, held back with tasseled
ropes of old gold, while the carpet was of a deep wine-red and seemed to
absorb not only footfalls but every sound from the outside world. There
was a couch stuffed with horsehair and covered in black oilcloth over
which a rug was thrown, occupying a prominent position, while the only
decorations consisted in three oil paintings: portraits of Freud, Jung
and Ernest Jones.
At a rolltop bureau, from which he turned in a swivel chair to greet them,
they found Dr. Klosterberg himself. He was a round-headed man of medium
build, his hair close-cropped and graying, wearing an unremarkable dark
suit with a dark blue tie. He affected pince-nez, behind which his pale
eyes gleamed. He exuded an air of grave authority. Altogether he was an
archetype of the psychiatrist rôle.
Beside the couch, looking as though a four-foot fir cone had been
carved out of anthracite, then flattened like a cowering hedgehog,
lay Adirondinatarigo. Godwin bent to pat it on the tapered end and
was rewarded by a protuberation that disconcertingly exposed a band
of mucous membrane as softly glossy as the inside of a human cheek,
but yellowish-green and ever so slightly luminous. The mood improved
further as more pheromones escaped into the air.
Simultaneously he said, "Hermann, nice to see you again. This is Gorse.
Just Gorse at the moment. She's trying to decide on a surname to go
with it."
"Then she should consult Ambrose, as you and I did," Hermann murmured.
"Some of his opinions may be questionable, but of his ability to sense
the overtones of nomenclature there is no doubt . . . How do you do,
Gorse?" he added, extending his hand with a beaming smile.
She shook with him absently, staring at the scaly black mass beside the
couch. "What on earth is that?" she demanded. "I could swear I saw it
move when God touched it."
"Oh, that's Canaptarosigapatruleeva," Hermann said dismissively. "No need
to worry about it. Just forget it's there. For the time being, that is.
Later on, you can get properly acquainted with it." He bent slightly
and touched one of the thick, dull-shiny, overlapping scales; it rose a
centimeter and exposed another patch of membrane, this time of a fir-tree
green. "Do sit down," he added. "And what seems to be the trouble?"
The atmosphere conduced to openness. Almost before she had sunk into the
chair which Hermann indicated for her, Gorse had begun to pour out her
life story, far more truthfully than to Godwin last night. His back to
the bureau, his elbows on the arms of his swivel chair, his fingertips
arched together, Hermann listened with
Dorothy Dunnett
Anna Kavan
Alison Gordon
Janis Mackay
William I. Hitchcock
Gael Morrison
Jim Lavene, Joyce
Hilari Bell
Teri Terry
Dayton Ward