Peter the Great

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Authors: Robert K. Massie
Tags: History, Non-Fiction
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and ensure the dowries of* the numerous young women of her household. Like her husband, the tsaritsa spent much time in church, but, even with all her duties, there were many empty hours. To pass the time, the tsaritsa played cards, listened to stories, watched the singing and dancing of her maidens and laughed at the clowning of her dwarfs dressed in bright-pink costumes with red leather boots and green cloth caps. At the end of the day, after vespers and when the tsar had finished his work, the tsaritsa might be summoned to visit her husband.
    Whether or not marriage was a desirable state for a seventeenth-century Russian was arguable. But there were some women in Russian society who would never know. By rank, they were at the very top, the sisters and daughters of the tsar. By fortune, who can say? None of these princesses, called tsarevnas, would ever meet a man, fall in love, marry and have children. Similarly, none would ever be haggled over, marketed, legally raped, beaten or divorced. The barrier was their rank. They could never marry Russians beneath their own royal rank (although the tsar could choose a wife from the nobility), and they were barred by religion from marrying foreigners—by definition, infidels or heretics. Therefore, from birth they were doomed to live their lives in the narrow gloom of the terem, an apartment, usually at the top of a large Russian house, reserved for women. There, they passed their time in prayer, embroidery, gossip and boredom. They would never know anything of the wider world, and the world would notice their existence only when it was announced that they had been bom or died.
    Except for their close male relatives and the patriarch and a few selected priests, no man ever set eyes on the shadowy royal recluses. The terem itself was an exclusively female world. When a tsarevna was ill, the shutters were drawn and the curtains closed to darken the room and hide the patient. If it was necessary to take her pulse or examine her body, it had to be done through a covering of gauze so that no male fingers would touch the naked female skin. Early in the morning or late at night, the tsarevnas went to church, hurrying through closed corridors and secret passageways. In cathedrals or chapels, they stood screened behind red silk curtains in a dark part of the choir to avoid the gaze of male eyes. When they walked in state processionals, it was behind the moving silken walls of closed canopies. When they left the Kremlin on pilgrimage to a convent, it was in specially constructed bright-red carriages or sledges, closed like movable cells, surrounded by maids and men on horseback to clear the roads.
    The terem should have been Sophia's world. Born in 1657, she lived there in early childhood, one of a dozen princesses—the sisters, aunts and daughters of Tsar Alexis—all caged behind its tiny windows. There seemed no reason for her rare and extraordinary quality. She was simply the third of Alexis' eight daughters by Maria Miloslavskaya; she was one of six who survived. Like her sisters, she should have been equipped with a rudimentary female education and passed her life in anonymous seclusion.
    And yet Sophia was different. That strange alchemy which, for no apparent reason, lifts one child out of a large family and endows it with a special destiny had created Sophia. She had the intelligence, the ambition, the decisiveness which her feeble brothers and anonymous sisters so overwhelmingly lacked. It was almost as if her siblings had been drained of normal health, vitality and purpose in order to magnify these qualities in Sophia.
    From an early age, it was apparent that Sophia was exceptional. As a child, she somehow persuaded her father to break the terem tradition and permit her to share the lessons of her brother Fedor, who was four years younger. Her tutor was the eminent scholar
    Simeon Polotsky, a monk of Polish ancestry from the famous academy in Kiev. Polotsky found her "a maiden of

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