Festival Hall overlooking the Thames. A Sunday tea-dance at the Savoy with champagne and scones! Ice-skating, come winter, over at Somerset House. Afternoon Billy Wilder double-bills at the NFT. I browse the second-hand book stalls along the river and find a near-perfect copy of Rapture by Carol Ann Duffy. I’d love to buy it for James, but I suspect he’d be more comfortable with the John le Carré on the next table, or last year’s Top Gear annual.
I have spent too long pottering. I’m fifteen minutes late and as I approach the Tate, I see James from a distance looking at his watch with an anxious frown. God, I love the size of him. He’s so man-shaped, so masculine, so male. He’s wearinga navy coat and his dark blue Levis. This is a man who would never countenance wearing a pair of jeans with Lycra in them. He turns his head in my direction, then does a double take. I have to order myself not to break into a run towards him.
‘Good hat,’ he says, and kisses me for a full five minutes.
‘For you.’ He holds out a box wrapped in pistachio coloured paper with a big pink ribbon. ‘I hope this kitten’s got big lungs or you’ll have one guilty conscience, Miss Klein.’
‘If there’s a dead cat in here it’s your fault for kissing me so long,’ I say.
‘You shouldn’t be such a temptress,’ he says. ‘Come on, open up before the RSPCA nick us.’
Inside the box is a Jean Clement praline millefeuille: a mythical dessert. The cakes in Jean Clement are displayed like diamonds on velvet casings. They cost more than diamonds, and the praline millefeuille is the Great Star of Africa. I once had a migraine that lasted three days, and a Jean Clement millefeuille cured it. They only make ten a day and if you’re not in the queue when the store opens, you’ll just have to take my word for it that you’ll never put anything better in your mouth.
‘I had to wrestle a very determined Japanese lady with a dead fox round her neck to get you this.’
‘Oh my God. You’re a very good boyfriend.’ I kiss him and he smiles. ‘Open wide,’ I say, and attempt to feed him the cake.
He shakes his head. ‘I bought it for you, Queen of Puddings.’
‘I want you to have the first bite,’ I say. He takes a small nibble then looks at me in wonder. ‘Jesus, is that even legal?’ He takes a bigger bite and pretends he’s going to eat the whole thing. I wouldn’t even begrudge him if he did, that is how much I fancy this man.
He grabs my hand and I follow him into the gallery. ‘I read about this guy in the paper. I know how cultured you are,’ he says. I don’t know where he gets this idea from. Oh, yes – it was the fact that I mentioned a poet on the first night we met. I’m entirely not cultured, really. I like art and books and films but I can’t explain Martin Kippenberger. The thought of seeing Ewan McGregor play Shakespeare leaves me cold, and I’d rather watch Trading Places than a Bergman film. However, I get the impression that his previous girlfriends spend a lot of time down the gym and consider Paolo Coelho the best writer in the world, so I guess in the kingdom of the blind….
We kiss on all the escalators up to the fifth floor. If I was behind us on the escalators I’d hate us, we are so goddamned happy.
Tucked away in one of the smaller galleries is the entrance to a tiny exhibit with a grumpy security guard standing outside. A placard on the wall reads, ‘The Beauty of the World, the Paragon of Animals.’
When the guard sees my dress he shakes his head. ‘Put the boots on. And don’t spend more than a couple of minutes in there, it’s bad for your lungs,’ he says ushering us through a door into a narrow corridor, lined with wellies. He closes the door behind us and we’re in darkness, stumbling and giggling as we feel our way along the walls in ill-fitting boots, taking a sharp left, then a right. And then all of a sudden the tunnel ends and our eyes automatically shut
I have spent too long pottering. I’m fifteen minutes late and as I approach the Tate, I see James from a distance looking at his watch with an anxious frown. God, I love the size of him. He’s so man-shaped, so masculine, so male. He’s wearinga navy coat and his dark blue Levis. This is a man who would never countenance wearing a pair of jeans with Lycra in them. He turns his head in my direction, then does a double take. I have to order myself not to break into a run towards him.
‘Good hat,’ he says, and kisses me for a full five minutes.
‘For you.’ He holds out a box wrapped in pistachio coloured paper with a big pink ribbon. ‘I hope this kitten’s got big lungs or you’ll have one guilty conscience, Miss Klein.’
‘If there’s a dead cat in here it’s your fault for kissing me so long,’ I say.
‘You shouldn’t be such a temptress,’ he says. ‘Come on, open up before the RSPCA nick us.’
Inside the box is a Jean Clement praline millefeuille: a mythical dessert. The cakes in Jean Clement are displayed like diamonds on velvet casings. They cost more than diamonds, and the praline millefeuille is the Great Star of Africa. I once had a migraine that lasted three days, and a Jean Clement millefeuille cured it. They only make ten a day and if you’re not in the queue when the store opens, you’ll just have to take my word for it that you’ll never put anything better in your mouth.
‘I had to wrestle a very determined Japanese lady with a dead fox round her neck to get you this.’
‘Oh my God. You’re a very good boyfriend.’ I kiss him and he smiles. ‘Open wide,’ I say, and attempt to feed him the cake.
He shakes his head. ‘I bought it for you, Queen of Puddings.’
‘I want you to have the first bite,’ I say. He takes a small nibble then looks at me in wonder. ‘Jesus, is that even legal?’ He takes a bigger bite and pretends he’s going to eat the whole thing. I wouldn’t even begrudge him if he did, that is how much I fancy this man.
He grabs my hand and I follow him into the gallery. ‘I read about this guy in the paper. I know how cultured you are,’ he says. I don’t know where he gets this idea from. Oh, yes – it was the fact that I mentioned a poet on the first night we met. I’m entirely not cultured, really. I like art and books and films but I can’t explain Martin Kippenberger. The thought of seeing Ewan McGregor play Shakespeare leaves me cold, and I’d rather watch Trading Places than a Bergman film. However, I get the impression that his previous girlfriends spend a lot of time down the gym and consider Paolo Coelho the best writer in the world, so I guess in the kingdom of the blind….
We kiss on all the escalators up to the fifth floor. If I was behind us on the escalators I’d hate us, we are so goddamned happy.
Tucked away in one of the smaller galleries is the entrance to a tiny exhibit with a grumpy security guard standing outside. A placard on the wall reads, ‘The Beauty of the World, the Paragon of Animals.’
When the guard sees my dress he shakes his head. ‘Put the boots on. And don’t spend more than a couple of minutes in there, it’s bad for your lungs,’ he says ushering us through a door into a narrow corridor, lined with wellies. He closes the door behind us and we’re in darkness, stumbling and giggling as we feel our way along the walls in ill-fitting boots, taking a sharp left, then a right. And then all of a sudden the tunnel ends and our eyes automatically shut
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