wick.â
âYouâre kidding! You mean these things really work?â
âIndeed they do. The cannonballs are in the limber, there.â
Johnny flipped open the miniature lock and opened it. It eased open like a well-oiled treasure box. Not only were there twenty little cannonballs lined up neatly on a polished shelf, but a proper bucket, a mallet, and a pickax as well, all gleaming in rosewood and brass. A delicate white cord with gold-nuggeted ends was waxed, braided, and coiled.
âBut youâre an armorer!â Johnny exploded.
Stan was wiping his hands on an old piece of shammy. He looked up through his bushy eyebrows and studied Johnny. âNot many people know what a small-arms expert is, either.â
Fascinated, Johnny turned the smooth wheel of the Rodman. âYeah, well, there arenât too many of them around. I got to know one of them in Nam. He was a genius with explosives.â
âReally? Thatâs what I did in World War II. Demolition. We blew up the swastika of Nürnberg.â He grinned. âAmong other things.â
Stan and Johnny gazed at each other with final approval. The record came to an end and Stan hurried over to flip it. âAh, Puccini,â he sighed.
âSir?â
âPuccini.â
âSounds good,â Johnny scratched his forehead, embarrassed.
âSo,â Stan sank into his chair, âdown to tacks.â
Johnny reminded him of the conflicting numbers heâd reported.
âOh, yes. You see, my daughter saw this car, andââ
Johnny looked up at Carmela pirouetting into the room. She was wearing a tuxedo and stiletto heels. Her mouth was an indignant fuschia.
âMy daughter,â Stan shrugged. âCarmela.â
âDad, my car wonât start.â
âItâs just the butterfly, knucklehead. It always is.â
âYes, but Iâd rather take yours, if I may.â She looked Johnny over. From the lines of his car she had thought heâd be something. He had good teeth all right, but his Izod La Coste shirt was not a La Coste at all. It was a counterfeit. Whatâs more, it looked as though it had been slept in. He was obviously ill-bred. Didnât even stand up. Stan fished in his pocket for keys and handed them over. âBe careful,â he warned and she started to leave.
âYou the one who saw the car?â Johnny stopped her.
Carmela gripped her chest. âMe? Of course not. That was Claire.â
âThatâs my other daughter ⦠on the porch.â
âYes, she lives on the porch,â Carmela smiled.
âOh, she doesnât live on the porch. Sometimes she sleeps out there.â
âEvery night since sheâs come home.â
âYou see, Claireâs been living overseasââ
âOver a tea shop. In the Himalayas.â
âYes. Well. Sheâs not used to being back in civilization yet. And she ⦠she saw this car early in the morning but she thought it would be better if I went down and told about it.â
Johnnyâs shoulderâs sank. âIâm afraid Iâll have to speak to her then.â
âOh, no!â they both said.
Johnny looked at them.
Carmela untangled her bow tie and pulled it up into her hair. âYou see, Claire has this thing about policemen.â
âShe wonât talk to you,â Stan agreed. âI mean, sheâd rather not.â
A gigantic funeral arrangement came in on a pair of menâs legs.
âFreddy!â Carmela cried. âGladiola!â
Freddy struggled in and lowered the flowers onto Stanâs cluttered desk. He was dressed a la Miami Vice and his hair was shaved stylishly over his ears with a brilliantined dip in the front. âFrom the restaurant.â His lips pursed of their own accord. âIâve got so many I donât know what to do with them all. Iâll bring more by tomorrow when I come to pick up
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