liberated (not that there were any Germans there) was the Comédie-Française. Yves Montand, who had recently established himself in Paris as a singer, appeared for sentry duty; an actress had rung Edith Piaf, Montand’s lover and mentor forthe last two weeks, to say that they needed more volunteers. The twenty-three-year-old Montand gave the secret knock to gain admittance to Molière’s theatre.
Actors and actresses greeted each other as if this were the greatest first-night party of their lives. Julien Berthau, appointing himself their leader, made a rousing speech, ending with the cry of the moment: ‘
Paris sera libéré par les Parisiens!
’ The whole company in a surge of emotion sang the forbidden Marseillaise, standing to attention. But there was something of an anticlimax when Berthau gave the order to distribute weapons. A few hundred metres from where they stood, German tanks waited for the first sign of trouble. To oppose them the ComédieFrançaise could produce just four shotguns and two stage revolvers.
The day was memorable as a day of collective bravery, as infectious as collective cowardice. Already bands of young men in the 17th
arrondissement,
with only a handful of weapons between them, had fought several German patrols. Those who were wounded refused to be taken to hospital and, as soon as they had been bandaged, insisted on returning to their barricade. There were numerous attacks on German convoys by
corps-francs
of the FFI, especially on the Left Bank. Some were ambushed from rooftops or windows with Molotov cocktails and stick grenades. Several groups also attacked Wehrmacht ration trucks coming from the Gare d’Austerlitz.
Any German soldiers rash enough to go out singly or in pairs were picked off or surrounded. The prime objective was to seize more weapons and vehicles. One daring young man made off with the German ambassador’s Horch convertible from outside the embassy at 78 rue de Lille.
Attacks often prompted heavy-handed German reaction. Five German armoured vehicles, supported by infantry, sallied forth from the Palais du Luxembourg up the rue Soufflot to attack the
mairie
of the 5th
arrondissement
in the Place du Panthéon. Shows of strength occurred elsewhere, but on the whole the Germans were effectively deterred from moving around the city.
Father Bruckberger, the Dominican chaplain-general of the Parisian FFI, rode from one area of fighting to another on his bicycle, ‘his white habit dirty from the smoke of battle’, as he supervised medical care for the wounded and attention to the dead. Coffins were piling up inchurches, so heavy were the casualties among civilians. Burials were impossible in the circumstances, so as a defence against the August heat some bodies were kept in the meat-freezers at Les Halles, now empty of food.
The Champs-Élysées were ominously empty. The sidewalk cafés, where the Germans in their field-grey uniforms had been sitting
en masse
only a few days before, drinking their
bocks,
were now deserted. For the German tanks on the Place de la Concorde, the gentle incline to the Arc de Triomphe offered a perfect field of fire. But this part of Paris gave a misleading impression of calm. Elsewhere, confusion was compounded by rumours springing from either hopes or fears: the Americans were approaching from the south-west; a fresh panzer division had arrived from the north; there was no ammunition left; the Germans had mined every building in central Paris; the
fifis
had managed to cut the wires to the detonators. Nobody knew for certain what was happening.
On this day, 22 August, a new wireless station, Radiodiffusion de la Nation Française, came on air. It was to act as the voice of the Resistance. Proclamations from various bodies were read out, often followed by the Marseillaise, which had been banned for the last four years. People would turn up the volume and open their windows to make sure everybody in the street could hear it too.
The new
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