he has run, or where he is in relation to the oasis, or how long he has been running. His thoughts are sluggish from the grip of terror, from the heat, and he tries to shape them into coherency.
The first thing he thinks of is his overnight bag.
A fresh tremor of fear spirals through him. He knows exactly what is in that bag, he knows the photograph is there, the photograph of Phyllis and him and what is written across the back—Jesus, why hadn’t he gotten rid of it a long time ago, what was he trying to do to himself keeping it as he had? If the two men, the killers, searched the storeroom they had found the bag, they had found it and—what? They hadn’t seen him running away, had they? They didn’t know anybody was there, or they wouldn’t have killed Perrins as they had—why had they? They hadn’t known he was there, maybe they’d think the bag belonged to some customer, forgotten there, articles were always being left at cafés, weren’t they? Yes, that is what they would think if they searched the storeroom, if they found the bag. He shouldn’t have panicked like that, he shouldn’t have run ...
Well, he’s all right now, he’s in control now, and he doesn’t have anything to—oh Christ, oh sweet Christ, the police, the cops, they’ll come eventually and if the killers didn’t find the bag the cops will, the bag and the photograph and his name and maybe he had left his fingerprints there, they would check and they would find out he was wanted, a fugitive, his bag there and Perrins lying behind the lunch counter, murdered, shot, maybe they would think he had killed him! Maybe they would put that up against him, too, and what if they caught him and he couldn’t make them believe he was innocent ...?
No, no, they won’t catch him, he’ll get away, he’ll get out of this desert, steal a car if he has to, he knows enough about them to be able to hot-wire an ignition. Yes, that’s the answer, that’s the only answer, because he can’t go back, the two killers might still be there, they might have seen him after all and they might be looking for him right now, and even if they were gone the cops might have come, a motorist might have stopped, he can’t go back, he has to keep running, he has to get out.
Think, Lennox, plan your moves, figure out what to do next.
And he thinks—and remembers. He remembers the furnacelike interior of the bus the day before, and the desert landscape rushing past the dust-stippled window, and the junction of the county road extending to the east, and the sign in the fork there, the sign: CUENCA SECO 16 mi. There is a town in the vicinity then, sixteen miles from the highway at that point, but is that county road straight, does the town lie due east or to the south or to the north? How far is he from the town now, from the county road, from any other road that might lead to safety? East by northeast, that has to be the direction, and he looks up into the burning sky, looks for the sun climbing slowly toward the zenith. Rises in the east, sets in the west, rises in the east, there, over there, east by northeast.
Lennox gets shakily to his feet, stands for a moment in the shade of the overhanging arch. He drags fluttering breath into his quieted lungs, shields his eyes, looking up, and steps out. The sun covers him with a canopy of fire as he begins hurrying once again over the rocky terrain, toward the glowing ball, keeping to cover, looking furtively over his shoulder as he has done so many times before.
The runner: still running.
Eight
Vollyer had the area map he and Di Parma had picked up the day before spread open on the Buick’s front seat; he scanned it without haste, his thick forefinger touching the long curve of the highway, the location of the oasis at the head of the curve, the black dot that was Cuenca Seco, the county road leading there, the dead-end road that—from above the town—led to the southwest and then hooked gradually to the south.
The first thing he thinks of is his overnight bag.
A fresh tremor of fear spirals through him. He knows exactly what is in that bag, he knows the photograph is there, the photograph of Phyllis and him and what is written across the back—Jesus, why hadn’t he gotten rid of it a long time ago, what was he trying to do to himself keeping it as he had? If the two men, the killers, searched the storeroom they had found the bag, they had found it and—what? They hadn’t seen him running away, had they? They didn’t know anybody was there, or they wouldn’t have killed Perrins as they had—why had they? They hadn’t known he was there, maybe they’d think the bag belonged to some customer, forgotten there, articles were always being left at cafés, weren’t they? Yes, that is what they would think if they searched the storeroom, if they found the bag. He shouldn’t have panicked like that, he shouldn’t have run ...
Well, he’s all right now, he’s in control now, and he doesn’t have anything to—oh Christ, oh sweet Christ, the police, the cops, they’ll come eventually and if the killers didn’t find the bag the cops will, the bag and the photograph and his name and maybe he had left his fingerprints there, they would check and they would find out he was wanted, a fugitive, his bag there and Perrins lying behind the lunch counter, murdered, shot, maybe they would think he had killed him! Maybe they would put that up against him, too, and what if they caught him and he couldn’t make them believe he was innocent ...?
No, no, they won’t catch him, he’ll get away, he’ll get out of this desert, steal a car if he has to, he knows enough about them to be able to hot-wire an ignition. Yes, that’s the answer, that’s the only answer, because he can’t go back, the two killers might still be there, they might have seen him after all and they might be looking for him right now, and even if they were gone the cops might have come, a motorist might have stopped, he can’t go back, he has to keep running, he has to get out.
Think, Lennox, plan your moves, figure out what to do next.
And he thinks—and remembers. He remembers the furnacelike interior of the bus the day before, and the desert landscape rushing past the dust-stippled window, and the junction of the county road extending to the east, and the sign in the fork there, the sign: CUENCA SECO 16 mi. There is a town in the vicinity then, sixteen miles from the highway at that point, but is that county road straight, does the town lie due east or to the south or to the north? How far is he from the town now, from the county road, from any other road that might lead to safety? East by northeast, that has to be the direction, and he looks up into the burning sky, looks for the sun climbing slowly toward the zenith. Rises in the east, sets in the west, rises in the east, there, over there, east by northeast.
Lennox gets shakily to his feet, stands for a moment in the shade of the overhanging arch. He drags fluttering breath into his quieted lungs, shields his eyes, looking up, and steps out. The sun covers him with a canopy of fire as he begins hurrying once again over the rocky terrain, toward the glowing ball, keeping to cover, looking furtively over his shoulder as he has done so many times before.
The runner: still running.
Eight
Vollyer had the area map he and Di Parma had picked up the day before spread open on the Buick’s front seat; he scanned it without haste, his thick forefinger touching the long curve of the highway, the location of the oasis at the head of the curve, the black dot that was Cuenca Seco, the county road leading there, the dead-end road that—from above the town—led to the southwest and then hooked gradually to the south.
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