Have you seen a picture of him?"
"There was one in the paper."
"Oh, that was terrible. I have a better one. Hang on." She left the deck and moved into the great room, returning moments later with a framed color photo. She sat down on her chair again and passed the photograph to me. I studied Dow Purcell's face. The picture, taken on the golf course, had been cropped so that the others in his foursome were scarcely visible. His hair was white, trimmed close, and his face was lean. He looked tanned and fit, wearing a white golf shirt, pale chinos, and a leather golf glove on his right hand. I couldn't see the head of the club he was holding upright in front of him. "Where was this taken?"
"Las Vegas. The same trip. That was in the fall of 1982. We were married a year later when his final divorce papers came through."
I handed the photo back. "Does he gamble?"
She held the framed photograph and studied it herself. "Not him. He was speaking at a symposium on geriatric medicine. He loved Vegas for the golf, which he played all year long. He was a five handicap, really very good."
I wondered at the sudden use of the past tense but decided not to call attention to the shift. "Do you play?"
"Some, but I'm terrible. I play to keep him company when he's got no one else. It's nice when we travel because it gives us something to do." She leaned forward and set the picture on the table, studying it briefly before she turned back to me. "What happens now?"
"I'll talk to anyone who seems relevant and try to figure out what's going on."
"There's your mommy," a man said. He stood just inside the door, holding Griffith, who was dressed for bed in flannel jammies with enclosed rubber-soled feet and a diaper tailgate in back. His face was a perfect oval, his cheeks fat, his mouth a small pink bud. His fair hair was still damp, sharply parted on one side and combed away from his face. Blond curls were already forming where a few strands had dried. Mutely, he held his arms out and Crystal reached for him. She fit him along her hip, looking at him closely while she spoke in a high-pitched voice, "Griffie, this is Kinsey. Can you say 'Hi'?" This elicited no response from the child.
She took one of his hands and waved it in my direction, saying, "Hewwoh. I weady to doh feepy. I dotta doh beddy-bye now. Nighitie-night."
"Night-night, Griffith," I said, voice high, trying to get into the spirit of the thing. This was worse than talking to a dog because at least there you really didn't anticipate a high-pitched voice in response. I wondered if we were going to conduct the rest of the conversation talking like Elmer Fudd.
I glanced at Rand. "Hi. You're Rand? Kinsey Millhone."
"Oh, I'm sorry. I should have introduced you."
Rand said, "Nice to meet you." He appeared to be in his early forties, dark-haired, very thin, jeans, white T-shirt. I could still see damp splotches on his front from the toddler's bath. Like Crystal, he was barefoot, apparently impervious to cold.
I said, "I better go and let you get the little one to bed."
Rand took Griffith from his mother and retreated, chatting to the child as he went. I waited while she jotted down the names and phone numbers of her husband's business associates and his best friend, Jacob Trigg. We exchanged parting remarks of no particular consequence, and I left with her assurance I could call if I needed to.
On the way out, I passed Leila's stepfather Lloyd, who'd just arrived. He drove an old white Chevy convertible with a shredded sun-faded top and patches of primer where various dents and dings were being prepped for repainting. His brush cut was boyish and he wore glasses with oversized lenses and tortoise-shell frames. He had the body of a runner or a cyclist-long, lean legs and no visible body fat. Even with a nip in the air, all he wore was a black tank top, shorts, and clunky running shoes without socks. I placed him in his late thirties, though it was hard to determine since I glanced
"There was one in the paper."
"Oh, that was terrible. I have a better one. Hang on." She left the deck and moved into the great room, returning moments later with a framed color photo. She sat down on her chair again and passed the photograph to me. I studied Dow Purcell's face. The picture, taken on the golf course, had been cropped so that the others in his foursome were scarcely visible. His hair was white, trimmed close, and his face was lean. He looked tanned and fit, wearing a white golf shirt, pale chinos, and a leather golf glove on his right hand. I couldn't see the head of the club he was holding upright in front of him. "Where was this taken?"
"Las Vegas. The same trip. That was in the fall of 1982. We were married a year later when his final divorce papers came through."
I handed the photo back. "Does he gamble?"
She held the framed photograph and studied it herself. "Not him. He was speaking at a symposium on geriatric medicine. He loved Vegas for the golf, which he played all year long. He was a five handicap, really very good."
I wondered at the sudden use of the past tense but decided not to call attention to the shift. "Do you play?"
"Some, but I'm terrible. I play to keep him company when he's got no one else. It's nice when we travel because it gives us something to do." She leaned forward and set the picture on the table, studying it briefly before she turned back to me. "What happens now?"
"I'll talk to anyone who seems relevant and try to figure out what's going on."
"There's your mommy," a man said. He stood just inside the door, holding Griffith, who was dressed for bed in flannel jammies with enclosed rubber-soled feet and a diaper tailgate in back. His face was a perfect oval, his cheeks fat, his mouth a small pink bud. His fair hair was still damp, sharply parted on one side and combed away from his face. Blond curls were already forming where a few strands had dried. Mutely, he held his arms out and Crystal reached for him. She fit him along her hip, looking at him closely while she spoke in a high-pitched voice, "Griffie, this is Kinsey. Can you say 'Hi'?" This elicited no response from the child.
She took one of his hands and waved it in my direction, saying, "Hewwoh. I weady to doh feepy. I dotta doh beddy-bye now. Nighitie-night."
"Night-night, Griffith," I said, voice high, trying to get into the spirit of the thing. This was worse than talking to a dog because at least there you really didn't anticipate a high-pitched voice in response. I wondered if we were going to conduct the rest of the conversation talking like Elmer Fudd.
I glanced at Rand. "Hi. You're Rand? Kinsey Millhone."
"Oh, I'm sorry. I should have introduced you."
Rand said, "Nice to meet you." He appeared to be in his early forties, dark-haired, very thin, jeans, white T-shirt. I could still see damp splotches on his front from the toddler's bath. Like Crystal, he was barefoot, apparently impervious to cold.
I said, "I better go and let you get the little one to bed."
Rand took Griffith from his mother and retreated, chatting to the child as he went. I waited while she jotted down the names and phone numbers of her husband's business associates and his best friend, Jacob Trigg. We exchanged parting remarks of no particular consequence, and I left with her assurance I could call if I needed to.
On the way out, I passed Leila's stepfather Lloyd, who'd just arrived. He drove an old white Chevy convertible with a shredded sun-faded top and patches of primer where various dents and dings were being prepped for repainting. His brush cut was boyish and he wore glasses with oversized lenses and tortoise-shell frames. He had the body of a runner or a cyclist-long, lean legs and no visible body fat. Even with a nip in the air, all he wore was a black tank top, shorts, and clunky running shoes without socks. I placed him in his late thirties, though it was hard to determine since I glanced
Similar Books
