Other Earths
realizes, mildly surprised, that he has already become used to the smell of sweating children (he has none of his own) and the classroom grunge. The students who attend the school all experience it differently from him, their minds editing out all of the sensory perceptions he’s still receiving. The mess. The depressed quality of the infrastructure. But what if you couldn’t edit it out? And what if the stakes were much, much higher? ( Ossuary. It sounded like a combination of “osprey” and “sanctuary.”)
    So then they would sit him down at a ridiculously small chair, almost as small as the ones used by the students, but somehow he would feel smaller in it despite that, as if he were back in college, surrounded by people both smarter and more dedicated than him, as if he were posing and being told he’s not as good: an imposter.
    But it’s still just a children’s book, after all, and at least there’s air conditioning kicking in, and the kids really seem to want him to read the book, as if they haven’t heard it a thousand times before, and he feeds off the look in their eyes— the President of North America and the Britains is telling us a story —and so he begins to read.
    He enjoys the storytelling. Nothing he does with the book can hurt him. Nothing about it has weight. Still, he has to keep the pale face of the adept out of his voice, and the Russian problem, and the Chinese problem, and the full extent of military operations in the Heartland. (There are cameras, after all.)
    It’s September 11, 2001, and something terrible is going to happen, and he doesn’t know what it is.
    That’s when his aide interrupts his reading, comes up to him with a fake smile and serious eyes, and whispers in his ear.
    Whispers in his ear, and the sound is like a buzzing, and the buzzing is numinous, all encompassing. The breath on his ear is a tiny curse, an infernal itch. There’s a sudden rush of blood to his brain as he hears the words, and his aide withdraws. He can hardly move, is seeing light where there shouldn’t be light. The words drop heavy into his ear, as if they have weight.
    And he receives them and keeps receiving them, and he knows what they mean, eventually; he knows what they mean throughout his body.
    The aide says, his voice flecked with relief, “Mr. President, our scientists have solved it. It’s not time travel or far-sight. It’s alternate universes. The adepts have been staring into alternate universes. What happens there in September may not happen here. That’s why they’ve had such trouble with the intel. The machine isn’t a time machine.”
    Except, as soon as the aide opens his mouth, the words become a trigger, a catalyst, and it’s too late for him. A door is opening wider than ever before. The machine has already infected him.
    There are variations. A long row of them, detonating in his mind, trying to destroy him. A strange, sad song is creeping up inside him, and he can’t stop that, either.
     
    >>>He’s sitting in the chair, wearing a black military uniform with medals on it. He’s much fitter, the clothes tight to emphasize his muscle tone. But his face is contorted around the hole of a festering localized virus, charcoal and green and viscous. He doesn’t wear an eye patch because he wants his people to see how he fights the disease. His left arm is made of metal. His tongue is not his own, colonized the way his nation has been colonized, waging a war against bio-research gone wrong, and the rebels who welcome it, who want to tear down anything remotely human, themselves no longer recognizable as human.
    His aide comes up and whispers that the rebels have detonated a bio-mass bomb in New York City, which is now stewing in a broth of fungus and mutation: the nearly instantaneous transformation of an entire metropolis into something living but alien, the rate of change become strange and accelerated in a world where this was always true, the age of industrialization

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