Tags:
History,
True Crime,
Argentina,
Latin America,
Secret,
military coup,
execution,
uprising,
Juan Peron,
Peronist,
disappeared,
Gitlin,
Open Letter to the Military Junta,
montoneros
leaves. He takes the bus and gets off in Florida. He walks a few blocks, stops in front of the house with the light blue gates, ventures into the long corridor . . .Â
What does he know about the rebellion thatâs taking place at that exact moment? Here again, contradiction and doubt arise: On the one hand, he is a calm, thoughtful young man. He doesnât carry any weapons and wouldnât even know how to use them. He was exempted from military service and has never had a simple revolver in his hands.
On the other hand, we can guess what his thoughts are when it comes to politics. A detail confirms this.
After he leaves, his girlfriend finds a piece of paper with Carlosâs handwriting on it in her house:
âIf all goes well tonight . . .â
But all will not go well.
Footnotes:
10 DG: The Radical Civil Union was first formed as a political party at the turn of the nineteenth century. Since then, it has undergone a series of transformations while maintaining a generally oppositionist stance until the early 1950s, when it came to power with President Arturo Frondizi. The partyâs political orientation has been primarily centrist and leftist, but not in any way radical, in the traditional sense of the word. Its relationship to Peronism has been antagonistic for the most part, though certain leaders over the course of the partyâs existence have been more prone to reconciling with Peronist supporters, most often in exchange for political support.
Â
7. Warnings and Premonitions
There is one man, at least, who seems to see it coming. He will pass by Lizasoâs house once, twice, three times, to look for him, to take him away, to steal him from death, even though the latter extreme hasnât yet crossed anybodyâs mind. And it will all be futile.
This manâwho will later turn to terrorism and go by the name âMarceloââplays a curious role in the events. He is a friend of both the Lizaso family and some of the other main characters. He feels like a father to Carlitos, an affection that time and misfortune will turn sour. This man knows whatâs going on. That is why heâs afraid and why he wants to take the young man with him. But he will keep finding him entertained, engaged, chatting, and heâll let himself be deterred by the same promise again and again:
âIâll leave in ten minutes . . .
âMarceloâ isnât happy with this. Before leaving for the last time, he turns to the man who he considers responsible for the confusing situation that seems to be developing in the apartment. He knows him. He takes him aside and they speak softly.
âDo any of these people know anything?
âNo. Most of them donât know anything.
âSo what are they doing here?
âWhat do I know . . . Theyâre going to listen to the fight.
âBut you, sir ââMarceloâ insists, now irritatedâ why are you letting them stay here?
âYou want me to throw them out? Iâm not the owner here.
The conversation becomes unpleasant. âMarceloâ sharply interrupts it.
âDo what you want. But that guy there âhe tilts his head towards Lizaso, who is standing a ways away, talking with a group of peopleâ you donât take him anywhere, you hear me?
The man shrugs his shoulders.
âDonât worry. Iâm not going to take him anywhere. And besides, at this point, nothingâs going to happen tonight.
Â
8. Gavino
âAt this point, nothingâs going to happen tonight,â Norberto Gavino tells himself again. That piece of news should have been broadcast on the radio a while ago already. For a moment, he thinks âMarceloâ is right. But then he brushes it off. If nothingâs happening, then no oneâs in danger. Many of them have simply stopped by, people he doesnât even know; itâd be ridiculous to say: âGet out,