white in the hair around his chin.
He placed his valuables – the keys to the London flat, his letter from, and the photographs of, Stanley, the filters for the bicycle mask – on the table. He drank some water and opened a tin of tuna. Already he was sick of cold canned food. He wondered, very briefly, if the horse might have made good eating. Could anything that had been cut down by whatever it was? He might end up with a belly full of radioactive waste.
Would Stanley recognise him like this? He eased off his jacket and boots and shook plaster dust and pebbles of glass from the counterpane, then he crashed onto the bed. The ceiling was covered in cheap woodchip wallpaper, painted magnolia.
'Looks like rice pudding,' he heard Stanley say. 'Can we have some rice pudding?'
Jane reached for his rucksack and picked through the tins. ''Fraid not, badger,' he said. 'But we've got some custard in here. That do?'
'With sponge,' Stanley said. 'Chocolate sponge.'
Cherry giving him her look, the look that said, Sugar? At this hour? You deal with the fallout, then .
The light faded. The pillows were soft, the mattress firmer than he liked, but it was better than the lifeboat. A hammock of knives would have been more comfortable than the lifeboat. He stayed awake longer than he expected to. But he was so tired. He ached in so many places that it was difficult to locate the pain. He listened to the agonised scream of the wind, and beneath that the surge of the ocean. It was like a muscle working itself bigger. He imagined it rising, assuming shapes far more sophisticated than it ought to, flying at the towns and cities on the apron of land like a street fighter with their blood up. Bodies torn to nonsense by their rage. Buildings subsumed. Scarlet spindrift.
The door creaked.
He came out of a sleep he didn't realise he had entered. His head was treacly, unresponsive; he turned to the sound too slowly: now others were joining it. Footsteps, but they were too light, too swift. Surely whatever it was would have cut the distance to the bed long before now. Jane couldn't pull himself out of sleep's suck. Fear helped. He blinked, but though he was ridding himself of sleep he couldn't shake the shadows from his eyes. He thought he felt movement on him, but it was just his body tangled in the duvet. He kicked it away from him, sure there were rats trying to climb onto the bed. He saw the horse's body rippling and could not stop his mind's eye picturing his own body moving like that.
Lightning slashed through the room; Stopper was outlined before him, heralded by a thud of thunder. The footsteps had been made by the spatter of his blood as it drizzled out of the wounds in his arm. Hacked flesh slopped around his exposed tendons like the jaw of a dead animal. More lightning drew Stopper closer. Jane saw things writhe in his emptied eye sockets and he wondered for a moment if it might be the other man's dreams. But then Stopper was leaning over him and trying to cut into his forearms with the blade. He couldn't control the knife, though; the severed muscles in his arms would not do as he wanted.
Stopper's lips, curiously thin, split open. 'Pleased to see me?' he asked, and his breath was foul with oil, with decay. The words were like a cork popped clean of a bottle: shadows welled out of him, blood and seawater and prawns bloated by the feast he had become.
Jane closed his eyes. Stopper didn't leave him. His retina clung to his image, red in the black. 'Stopper,' Jane whispered. 'Jesus.'
When he opened his eyes again, light had returned to the room. He gazed down from the bed, expecting to see the hotel-room floor matted with all kinds of filth, but he could see only his boots and a layer of that invasive, pervasive dust.
He yawned and stretched and sat up. He rubbed his eyes. The howl of the wind and the crash of the sea. Rain was sudden buckshot against the roof tiles. In this strange daylight, though, the weather's menace seemed reduced. He went
Alaska Angelini
Cecelia Tishy
Julie E. Czerneda
John Grisham
Jerri Drennen
Lori Smith
Peter Dickinson
Eric J. Guignard (Editor)
Michael Jecks
E. J. Fechenda