One Hundred Years of Solitude

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Authors: Gabriel García Márquez, Gregory Rabassa
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being sold in the town. Children and adults sucked with delight on the delicious little green roosters of insomnia, the exquisite pink fish of insomnia, and the tender yellow ponies of insomnia, so that dawn on Monday found the whole town awake. No one was alarmed at first. On the contrary, they were happy at not sleeping becausethere was so much to do in Macondo in those days that there was barely enough time. They worked so hard that soon they had nothing else to do and they could be found at three o’clock in the morning with their arms crossed, counting the notes in the waltz of the clock. Those who wanted to sleep, not from fatigue but because of the nostalgia for dreams, tried all kinds of methods of exhausting themselves.They would gather together to converse endlessly,to tell over and over for hours on end the same jokes, to complicate to the limits of exasperation the story about the capon, which was an endless game in which the narrator asked if they wanted him to tell them the story about the capon, and when they answered yes, the narrator would say that he had not asked them to say yes, but whether theywanted him to tell them the story about the capon, and when they answered no, the narrator told them that he had not asked them to say no, but whether they wanted him to tell them the story about the capon, and when they remained silent the narrator told them that he had not asked them to remain silent but whether they wanted him to tell them the story about the capon, and no one could leave becausethe narrator would say that he had not asked them to leave but whether they wanted him to tell them the story about the capon, and so on and on in a vicious circle that lasted entire nights.
    When José Arcadio Buendía realized that the plague had invaded the town, he gathered together the heads of families to explain to them what he knew about the sickness of insomnia, and they agreed on methodsto prevent the scourge from spreading to other towns in the swamp. That was why they took the bells off the goats, bells that the Arabs had swapped them for macaws, and put them at the entrance to town at the disposal of those who would not listen to the advice and entreaties of the sentinels and insisted on visiting the town. All strangers who passed through the streets of Macondo at that timehad to ring their bells so that the sick people would know that they were healthy. They were not allowed to eat or drink anything during their stay, for there was no doubt but that the illness was transmitted by mouth, and all food and drink had been contaminated by insomnia. In that way they kept the plague restricted to the perimeter of the town. So effective was the quarantine that the day camewhen the emergency situation was accepted as a naturalthing and life was organized in such a way that work picked up its rhythm again and no one worried any more about the useless habit of sleeping.
    It was Aureliano who conceived the formula that was to protect them against loss of memory for several months. He discovered it by chance. An expert insomniac, having been one of the first, he hadlearned the art of silverwork to perfection. One day he was looking for the small anvil that he used for laminating metals and he could not remember its name. His father told him: “Stake.” Aureliano wrote the name on a piece of paper that he pasted to the base of the small anvil:
stake
. In that way he was sure of not forgetting it in the future. It did not occur to him that this was the firstmanifestation of a loss of memory, because the object had a difficult name to remember. But a few days later he discovered that he had trouble remembering almost every object in the laboratory. Then he marked them with their respective names so that all he had to do was read the inscription in order to identify them. When his father told him about his alarm at having forgotten even the most impressivehappenings of his childhood, Aureliano explained his method to him,

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