offensive item, a vintage American short-sleeved shirt, and pulled on some jeans, cut off at the calves and worn with no underwear, so that he felt bold and daredevil. An adventurer, a pioneer.
And then he saw the letter. Six blue sheets densely written on both sides. He stared at it as if an intruder had left it behind, and with his new sobriety came the first twinge of doubt. Picking it up gingerly, he glanced at a page at random and immediately looked away, his mouth puckered tight. All those capitals and exclamation marks and awful jokes. He had called her ‘sexy’, he had used the word ‘discersion’ which wasn’t even a proper word. He sounded like some poetry-reading sixth-former, not a pioneer, an adventurer with a shaved head and a tattoo and no underpants beneath his jeans.
I will find you, I’ve been thinking about you, Dex and Em, Em and Dex –
what was he thinking? What had seemed urgent and touching an hour ago now seemed mawkish and gauche and sometimes frankly deceitful; there had been no praying mantis on the wall, he hadn’t been listening to her compilation tape as he wrote, had lost his cassette player in Goa. Clearly the letter would change everything, and weren’t things fine just as they were? Did he really want Emma with him in India, laughing at his tattoo, making smart remarks? Would he have to kiss her at the airport? Would they have to share a bed? Did he really want to see her that much?
Yes, he decided, he did. Because for all its obvious idiocy, there was a sincere affection, more than affection, in what he had written and he would definitely post it that night. If she over-reacted, he could always say he was drunk. That much at least was true.
Without further hesitation he packed the letter into an air-mail envelope and slipped it into his copy of
Howards End
, next to Emma’s handwritten dedication. Then he headed off to the bar to meet his new Dutch friends.
Shortly after nine that night, Dexter left the bar with Renee van Houten, a trainee pharmacist from Rotterdam with fading henna on her hands, a jar of temazepam in her pocket and a poorly executed tattoo of Woody Woodpecker at the base of her spine. He could see the bird leering at him lewdly as he stumbled through the door.
In their eagerness to leave, Dexter and his new friend accidentally jostled Heidi Schindler, twenty-three years old, a chemical engineering student from Cologne. Heidi swore at Dexter, but in German, and quietly enough for them not to hear. Pushing through the crowded bar, she shrugged off her immense backpack and searched the room for somewhere to collapse. Heidi’s features were red and round, like a series of overlapping circles, an effect exaggerated by her round spectacles, now steamy in the hot humid bar. Bad-tempered, bloated on Diocalm, angry with the friends who kept running off without her, she collapsed backwards on a decrepit rattan sofa and absorbed the full scale of her misery. She removed her steamy spectacles, wiped them on the corner of her t-shirt, settled on the sofa and felt something hard jab into her hip. Quietly, she swore again.
Tucked between the ragged foam cushions was a copy of
Howards End
, a letter tucked into the opening pages. Even though it was intended for someone else, she felt an automatic thrill of anticipation at the red and white trim of the air-mail envelope. She tugged the letter out, read it to the end, then read it again.
Heidi’s English wasn’t particularly strong, and some words were unfamiliar – ‘discersion’ for example, but she understood enough to recognise this as a letter of some importance, the kind of letter that she would like to receive herself one day. Notquite a love-letter, but near enough. She pictured this ‘Em’ person reading it, then re-reading it, exasperated but a little pleased too, and she imagined her acting upon it, walking out of her terrible flat and the rotten job and changing her life. Heidi imagined Emma Morley, who
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