On the Prowl

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Authors: Patricia Briggs, Eileen Wilks, Karen Chance, Sunny
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didn’t want to much.
    “Stay where you are until I can get a look,” said a firm voice. “I’m an EMT.”
    The command in the EMT’s voice forced Charles to move—he didn’t take orders from anyone except his father. He pushed himself off of Anna and got to his feet, then leaned down and grabbed her hand to pull her up from the frozen sidewalk.
    “Damn it, man, you’re bleeding. Don’t be stupid,” snapped the stranger. “Sit down.”
    Being shot had enraged the wolf in him, and Charles turned to snarl at the EMT, a competent-looking middle-aged man with sandy hair and a graying red moustache.
    Then Anna squeezed his hand, which she still held, and said, “Thank you,” to the EMT and then to Charles “Let him take a look”—and he was able to hold back the snarl.
    He did growl low in his throat, though, when the stranger looked at his wound: never show weakness to a possible enemy. He felt too exposed on the sidewalk, too many people were looking at him—they had acquired quite an audience.
    “Ignore him,” Anna told the EMT. “He gets grumpy when he’s hurt.”
    George, the werewolf who owned the restaurant, brought out a chair for him to sit on. Someone had called the police; two cars came with flashing lights and sirens that hurt his ears, followed by an ambulance.
    The bullet had cut through skin and a fine layer of muscle across the back of his shoulders without doing a lot of damage, he was told. Did he have any enemies? It was Anna who told them that he’d just flown in from Montana, that it must have been just a drive-by shooting, though this wasn’t the usual neighborhood for that kind of crime.
    If the cop had had a werewolf’s nose, he would never have let her lie pass. He was a seasoned cop, however, and her answer made him a little uneasy. But when Charles showed him his Montana driver’s license, he relaxed.
    Anna’s presence allowed Charles to submit to cleaning and bandaging and questioning, but nothing would make him get into an ambulance and be dragged to a hospital, even though silver-bullet wounds healed human-slow. Even now he could feel the hot ache of the silver as it seeped into his muscles.
    While he sat beneath the hands of strangers and fought not to loose control, he couldn’t get the image of the shooter out of his head. He’d looked in the window and saw the reflection of the gun, then the face of the person who held it, wrapped in a winter scarf and wearing dark glasses. Not enough to identify the gunman, just a glimpse—but he would swear that the man had not been looking at him when his gloved finger pulled the trigger. He’d been looking at Anna.
    Which didn’t make much sense. Why would someone be trying to kill Anna?
    They didn’t go to the zoo.
    While he used the restaurant bathroom to clean up, George procured a jacket to cover the bandages so Charles wouldn’t have to advertise his weakness to everyone who saw him. This time Anna didn’t object when he asked her to call a taxi.
    His phone rang on the way back to Anna’s apartment, but he silenced it without looking at it. It might have been his father, Bran, who had an uncanny knack for knowing when he’d been hurt. But he had no desire to talk with the Marrok while the taxi driver could hear every word. More probably it was Jaimie. George would have called his Alpha as soon as Charles was shot. In either case, they would wait until he was someplace more private.
    He made Anna wait in the taxi when they got to her apartment building until he had a chance to take a good look around. No one had followed them from the Loop, but the most likely assailants were Leo’s people—and they all knew where Anna lived. He hadn’t recognized the shooter, but then he didn’t know every werewolf in Chicago.
    Anna was patient with him. She didn’t argue about waiting but the cabdriver looked at him as though he were crazy.
    Her patience helped his control—which was shakier than it had been in a long time. He

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