and another of creamed rice pudding; Desdemona was no cook. The eyes that Carmine had been surprised to find beautiful took no notice of the pitted linoleum or the wallpaper lifting around the edges; Desdemona did not live for creature comforts.
Finally, clad in a checkered flannel man’s dressing gown, she went to the living room, where her cherished work lay in a big wicker basket atop a tall cane stand beside her favorite chair, whose herniating springs she didn’t notice. Frowning, she dug in the basket to find the long piece of silk on which she was embroidering a sideboard panel for Charles Ponsonby — surely it had been right on top? Yes, it had, she was positive of the fact! No chaos for Desdemona Dupre; everything had its place, and lived in it. But the embroidery wasn’t there. Instead, she found a small clump of tightly curling, short black hairs, picked them out and studied them. At which moment she saw the panel, its rich blood reds muddled on the floor behind the chair.
Down went the hairs; she scooped up the embroidery and spread it out to see if it had sustained an injury, but, though a little creased, it was fine. How odd!
Then, the answer occurring to her, her lips tightened. That Nosey Parker of a landlord of hers who lived in the apartment below had been snooping. Only what could one do about it? His wife was so nice; so too was he in his way. And where else would she get a fully furnished apartment for seventy a month in a safe neighborhood? The hairs went into her trash bin in the kitchen, and she settled, feet under her, in the big old chair to continue with what she privately considered the best piece of embroidery she’d ever done. A complicated, curving pattern of several reds from pinkish to blackish on a background of pale pink silk.
But bugger her landlord! He deserved a booby trap.
Tamara, tired of the painting, her imagination incapable for once of envisioning a face ugly enough, terrifying enough. It would come, but not tonight. Not so soon after today’s disaster. That insolent cop Delmonico, his bullish walk, the shoulders so broad that he looked much shorter than he was, the neck so huge that on anyone else the head would have been dwarfed — but not his head. Massive. Yet try though she would, eyes shut, teeth clenched, she couldn’t make his face assume a piggish cast. And after he made her miss her appointment, she wanted badly to paint him as the ugliest pig in creation.
She couldn’t sleep, and what else was there to do? Read one of her whodunits for the millionth time? She flopped into a big magenta leather chair and reached for the phone.
“Darling?” she asked when a drowsy voice answered.
“I’ve told you, never call me here!”
Click. The line went back to its dial tone.
Cecil, lying in bed with his cheek on Albertia’s beautiful breast, trying to forget Jimmy’s terror.
Otis, listening to the rhythmic beep-beep-beep of his own heart, the tears rolling down his seamed face. No more lead bricks to move, no more cylinders of gas to wriggle onto a dolly, no more cages to shove into the elevator. How much would his pension be?
Wesley, too happy and excited to sleep. How Mohammed had straightened up at his news! Suddenly the hick postulant from Louisiana loomed important; he, Wesley le Clerc, had been given the job of keeping Mohammed el Nesr informed about the murder of a black woman at the Hug. He was on his way.
Nur Chandra, exiled to his cottage in the grounds where only he and his whipping boy, Misrarthur, ever came. He sat, legs crossed and braided, hands on his knees with palms upraised, each finger precisely positioned. Not asleep, but not awake either. A different place, a different plane. There were monsters to be banished, terrible monsters.
Maurice and Catherine Finch, sitting in the kitchen poring over the accounts.
“Mushrooms, schmushrooms!” said Catherine. “They’ll cost you more than you can make, Maurie, and my chickens won’t
A. L. Jackson
Peggy A. Edelheit
Mordecai Richler
Olivia Ryan
Rachel Hawkins
Kate Kaynak
Jess Bentley, Natasha Wessex
Linda Goodnight
Rachel Vail
Tara Brown