shoots and salon appointments and painful auditions where I gamely tried to act like I was enjoying imaginary bowls of pudding. My mother stood in the back of the room in her Guess jeans, mouthing the words that turned to lead when they passed my lips. The memory still brings the blushing snakes up my neck.
My mother believed in Scientology and Rolfing and expensive haircuts. She believed in bad karma and good tans. More than anything, she believed that if I booked a movie or TV show, her life would fall into place. So she kept dredging up auditions, which inevitably ended in halfhearted choruses of âWeâll be in touchâ from as early as I can remember until the month before my fifteenth birthday.
Thatâs when she got me a big break, the kind of once-in-a-lifetime chance that changes everything. Thatâs when she put me in front of Trent Whitford, a critically acclaimed director whose movies rarely make much at the box office, yet he still gets mentioned in the same breath as Kubrick and Scorsese.
Thereâs a lot of shit that ensures that Donna will never make the short list for Mother of the Year, but this is the one thing I still canât get over.
Twelve
T he second week of my trial period starts rough. Thereâs a new girl at Starbucks; she looks confused when I place my order, and I feel a queasy tremor of dismay. I really hope she understands that
bone dry
means she has to wait until the milk has settled in the metal pitcher before scooping only the foamiest of foam into the cup. Yep, thatâs my life right now.
Tyler is full of quirky charm, but heâs also becoming increasingly particular by the day. And itâs not only about coffee anymore. Heâs decided that all he wants to eat are diced, fresh mangoes for breakfast and handmade artichoke ravioli for lunch, which I sauté in clarified butter and sprinkle with fresh thyme picked from the terra-cotta pots artfully jumbled beside the carport.
At least it gives me a chance to shine.
âIâm so sick of 17th Street Café,â he said last week when the fries were too limp, even though Iâd had them packaged separately and to prevent condensation opened the Styrofoam clamshell during the ten-block drive to the house.
âThis,â he said, holding aloft a wilted example for my inspection, âis disgusting.â
âMmm-hmm.â I was giving him about 30 percent of my attention. With the remainder, I was laying out neat rows of pictures Iâd taken the afternoon before at several Melrose antiques stores.
Fries momentarily forgotten, he flicked his gaze across the glossy images and heaved a sigh.
âWhat?â I said.
Tyler extended his little finger and pointed down the rows of three in rapid succession. âFake, fake, hideous. Not what I asked for, mediocre, probably fake. Not bad, ooh, really fake, annnd . . .â He picked up the last photo to study. âNot even Biedermeier.â
If he was right, then half the fancy stores on Melrose Place were selling fake antique furniture at escalated prices, which I highly doubted, but still. He certainly knows his shit. It didnât even matter. The point was that Iâd failed. Or at least felt like Iâd failed. Or maybe there was a moving target and I wasnât even sure what success looked like anymore.
Tyler glumly waggled a fry at Zelda, who launched from her perch on the Roche-Bobois sofa that has become the bane of Tylerâs existence.
âYou know what Iâm in the mood for?â he said. âRavioli.â
I leaped into the void left by my Biedermeier debacle. âI can do that! I made fresh pasta all the time when I worked for Wolfgang.â
âReally?â Tyler perked up. âYou can do that?â
âAbsolutely,â I said, even though the truth is I worked for Wolfgang for less than six months, mostly as a secretary. Still, sometimes theyâd let me in the prep kitchen
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