Strongly constructed of heavy and well-joined wood, it was lined inside with tight-fitted stainless steel. Each lid featured a drop lip that set in a groove on the bin edge, making a rubberless seal, perhaps to keep the mice out of the grain.
Given any other reasonable choice, I wouldn’t have climbed into that empty bin, which as I recalled bore an uncomfortable resemblance to a casket. But if the insistent visitors currently pounding on the doors at both ends of the stable were hostile, the alternatives to the bin were to die in the tack room or die in the aisle, or die in one of the horse stalls, and I didn’t consider any of those options to be reasonable.
Whether or not my unknown adversaries had the benefit of eyes, I was as good as blind when I pulled shut the feed-room door behind me—no lock, of course—and felt my way to the second bin. I lifted one lid and pushed it back until the automatic hinge latch held it open at full extension.
I didn’t need to be quiet getting into the bin, because those who wanted to come into the stable to have a powwow or a chow-down were making those bronze doors ring like bells.
On the underside of the lid was a six-inch-long pull handle with aknob on the end. If you were standing before the bin, you could lean across it and reach that peg to jiggle the hinge latch loose and then to draw the lid back toward yourself.
As I heard the wheels of the north door rumble in their tracks, I swung up and into this most inadequate of hidey-holes and lowered the lid, closing myself in the feed bin with the hope that its name wouldn’t prove to be as apt now as it had been in the past.
Sitting on the floor of that box, facing forward, I held tight to both pull handles, which were welded to the lids, hoping that if anyone came into the room and tried to open the bin, it would seem to be warped and corroded and wedged shut with age.
The south door, too, rolled aside, especially loud because the pocket that received it lay behind the back wall of the feed room.
After the doors were opened wide enough to suit the visitors, all was silent, as if once they had filed into the aisle between the rows of stalls, they just stood there. Doing what?
They were probably listening for any sounds I might make, just as I was listening intently to them. But as I was one and they were many, they ought to search more confidently, aggressively.
Another minute passed. I began to wonder if they had actually entered the stable after opening the doors or if instead they were still outside, at the threshold.
I might have thought the isolation of the feed bin prevented me from hearing them, but along the front of that long box were two rows of five holes, one a foot above the other. Four inches in diameter, each hole was covered with a fine-mesh screen, perhaps to allow air inside to prevent mold from forming on the grain that had been kept there back in the day. I should have been able to hear anything other than the most stealthy of movements.
The chlorine-like smell of ozone intensified to such an extent that I worried it might tease a sneeze from me.
Without faith to act as a governor, the human mind is a runaway worry generator, a dynamo of negative expectations. And because your life is yours to shape as you wish with free will, if you entertain too much anxiety about too many things, if you place no trust in providence, what you fear will more often come to pass. We make so many of our own troubles, from mere mishaps to disasters, by dwelling on the possibility of them until the possible becomes inevitable.
Therefore I told myself to stop worrying about sneezing, to place myself in the care of providence. Quick now, here, now, always, if we are in a condition of complete simplicity (as the poet said), hope and trust will more reliably keep a man afloat, while fear is more likely to sink him.
Silence upon silence … Just when I began to think the visitors had gone, the feed-room door
Alaska Angelini
Cecelia Tishy
Julie E. Czerneda
John Grisham
Jerri Drennen
Lori Smith
Peter Dickinson
Eric J. Guignard (Editor)
Michael Jecks
E. J. Fechenda