stop them? I’m tied to Raine,
powerless.
I strain against my bonds, and as I do, a surge of
anger and hatred rushes through me. It’s like nothing
I’ve ever experienced before. I don’t even know what
it is exactly, but for in this instant it’s as though I’m
able to take in whatever energy is around me and
use it.
My body feels like a high-tension wire -- pure
electricity, strength, and intensity.
I wrench my arms, and the ropes holding Raine and
me together snap like they’re nothing more than a
couple of pieces of string. I’m up instantly, launching
myself across that stage. It doesn’t matter that Reed
steps in front of me. I knock him aside and he lands
on his ass.
For a split second I look down at his stunned face.
I told you I’d knock you on your ass, dickhead.
I continue across the stage toward the guards.
They’re al looking at me now with expressions of
shock. I can’t blame them, since I’m in shock, too.
But I don’t have time to wonder how I’m able to do
any of this. Al I know is that for the first time in a long,
long time, I feel strong.
When I reach the first guard, I literal y toss him off the
stage and into the crowd.
The other two guys hesitate, not sure what I’m
capable of. I just glare, since I stil can’t seem to talk.
Natalia sits up, looking dazed. Now the only one
between us is the guy who hit her in the first place.
Phelps. He takes two steps back, his face ashen.
I move forward, then grab him by the throat and
squeeze. He sinks to his knees, his face slowly
turning a shade of light purple. It occurs to me that I
have the strength to kil him, to actual y crush his
windpipe.
But I’m not one of them. I don’t just kil people for the
hel of it. Instead I toss him aside like a bag of
leaves, and he rol s into the corner, gasping and
choking.
The audience is up and buzzing now, some of them
moving toward the stage. A few of them are
clustered around Reed, and I know it’s only a matter
of time before they come after me. Raine’s
col apsed on the floor, not moving, maybe even
dead.
Reed stands up and stares at me, his face unable to
mask his hatred. And something else as wel . Fear?
Yes. Reed is terrified of me, terrified because he
didn’t plan for this, didn’t see it coming at al .
You underestimated me, buddy.
“Campbel , you’re not helping anybody, least of al
yourself!” he cal s out, starting to walk towards me
with a smile suddenly affixed to his face. Like he’s a
real y helpful guy now, like he wasn’t just trying to
murder me a few seconds ago.
I don’t respond. I can’t respond. Instead, I bend down
and pick up Nat, hoisting her over my shoulder and
starting to back away.
Reed glances back at the audience. It’s almost total
pandemonium now, with everyone looking around
and trying to figure out what’s happening.
And then noise starts coming from the forest.
Voices. Yel ing.
Some of the audience members are turning and
pointing away from the stage, toward the trees at the
left of the theatre. A few people scream, and there’s
a stampede as everyone tries to get away from
whatever’s coming. Suddenly, an explosion rings out
from nearby. I turn just in time to see a firebal
incinerate two people on the far side of the
amphitheatre.
I blink, disoriented, and watch as about twenty
people emerge from the forest, an actual phalanx of
soldiers. They’re dressed in strange black suits, like
they just came off the set of The Matrix. And they’re
absolutely destroying everything in their path.
Reed sees the carnage and cries out. He looks back
to me. “Get her out of here, now!” And then he holds
out his hands and an enormous blue bubble shoots
across the stage and toward the people emerging
from the trees.
I don’t wait around to see what happens next.
I start running as fast as I can in the opposite
direction, away from the fighting.
Natalia is slung over my shoulder, but
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