Novelties & Souvenirs

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Authors: John Crowley
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of town, and drifting up even to the eyes of the martyrs pictured on the sash windows of the little clapboard church, Our Lady of the Valley; the wind full of howling white riders tearing the shingles from the roof, piling the snow still higher, blizzarding the church away entirely and the convent too and all the rest of it, so that by next day oblivion whiter than the hair of God would have returned the world to normality, covering his false history and all its works in the deep ordinariness of two feet of snow; and at evening the old man in his daughter’s house would sit looking out over the silent calm alone at the kitchen table, a congruence of star, cradle, season, sacrament, etc., end of chapter thirty-five, the next page a flyleaf blank as snow.
    The whole thing, the full thing, the step taken backward that frames the incomprehensible as in a window. Novelty: there was, he just then saw, a pun in the title.
    He rose. Victor, lost in thought, watched the hurrying crowds that had suddenly filled the streets, afternoon gone, none with time to glance at themselves; hurrying home. One page a day, seven a week, thirty or thirty-one to the month. Fishing in his pocket for a tip, he came up with his pen, a thick black fountain pen. Fountain: it seemed less flowing, less forthcoming than that, in shape more like a bullet or a bomb.

S NOW
    I DON ’T THINK G EORGIE would ever have got one for herself: she was at once unsentimental and a little in awe of death. No, it was her first husband—an immensely rich and (from Georgie’s description) a strangely weepy guy—who had got it for her. Or for himself, actually, of course. He was to be the beneficiary. Only he died himself shortly after it was installed. If installed is the right word. After he died, Georgie got rid of most of what she’d inherited from him, liquidated it, it was cash that she had liked best about that marriage anyway; but the Wasp couldn’t really be got rid of. Georgie ignored it.
    In fact the thing really was about the size of a wasp of the largest kind, and it had the same lazy and mindless flight. And of course it really was a bug, not of the insect kind but of the surveillance kind. And so its name fit all around: one of those bits of accidental poetry the world generates without thinking. O Death, where is thy sting?
    Georgie ignored it, but it was hard to avoid; you had to be a little careful around it; it followed Georgie at a variable distance,depending on her motions and the number of other people around her, the level of light, and the tone of her voice. And there was always the danger you might shut it in a door or knock it down with a tennis racket. It cost a fortune (if you count the access and the perpetual-care contract, all prepaid), and though it wasn’t really fragile, it made you nervous.
    It wasn’t recording all the time. There had to be a certain amount of light, though not much. Darkness shut it off. And then sometimes it would get lost. Once when we hadn’t seen it hovering around for a time, I opened a closet door, and it flew out, unchanged. It went off looking for her, humming softly. It must have been shut in there for days.
    Eventually it ran out, or down. A lot could go wrong, I suppose, with circuits that small, controlling that many functions. It ended up spending a lot of time bumping gently against the bedroom ceiling, over and over, like a winter fly. Then one day the maid swept it out from under the bureau, a husk. By that time it had transmitted at least eight thousand hours (eight thousand was the minimum guarantee) of Georgie: of her days and hours, her comings in and her goings out, her speech and motion, her living self—all on file, taking up next to no room, at The Park. And then, when the time came, you could go there, to The Park, say on a Sunday afternoon; and in quiet landscaped surroundings (as The Park described it) you would find her personal resting chamber; and there, in privacy, through the

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