My Name is Red

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Authors: Orhan Pamuk
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made letter-delivery a matter of commerce and custom, I’m signifying that I don’t intend to conceal that much at all.
    2. That I’ve folded it up like a French pastry implies secrecy and mystery, true. But the letter isn’t sealed and there’s a huge picture enclosed. The apparent implication is, “Pray, keep our secret at all costs,” which more befits an invitation to love than a letter of rebuke.
    3. Furthermore, the smell of the letter confirms this interpretation. The fragrance was faint enough to be ambiguous-did she intentionally perfume the letter?-yet alluring enough to fire readers’ curiosity-is this the aroma of attar or the smell of her hand? And a fragrance, which was enough to enrapture the poor man who read the letter to me, will surely have the same effect on Black.
    4. I am Esther, who knows neither how to read nor write, but this I do know: Although the flow of the script and the handwriting seems to say “Alas, I am rushed, I am writing carelessly and without paying serious attention,” these letters that twitter elegantly as if caught in a gentle breeze convey the exact opposite message. Even her phrase “just now come” when referring to Orhan, implying that the letter was written at that very moment, betrays a ploy no less obvious than care taken in each line.
    5. The picture sent along with the letter depicts pretty Shirin gazing at handsome Hüsrev’s image and falling in love, as told in the story that even I, Esther the Jewess, know well. All the lovelorn ladies of Istanbul adore this story, but never have I known someone to send an illustration relating to it.
    It happens all the time to you fortunate literate people: A maiden who can’t read begs you to read a love letter she’s received. The letter is so surprising, exciting and disturbing that its owner, though embarrassed at your becoming privy to her most intimate affairs, ashamed and distraught, asks you all the same to read it once more. You read it again. In the end, you’ve read the letter so many times that both of you have memorized it. Before long, she’ll take the letter in her hands and ask, “Did he make that statement there?” and “Did he say that here?” As you point to the appropriate places, she’ll pore over those passages, still unable to make sense of the words there. As she stares at the curvy letters of the words, sometimes I am so moved I forget that I myself can’t read or write and feel the urge to embrace those illiterate maidens whose tears fall to the page.
    Then there are those truly accursed letter-readers; pray, don’t you turn out to be like one of them: When the maiden takes the letter in her own hands to touch it again, desiring to look at it without understanding which words were spoken where, these beasts will say to her, “What are you trying to do? You can’t read, what more do you want to look at?” Some of them won’t even return the letter, treating it henceforth as if it belonged to them. At times, the task of accosting them and retrieving the letter falls to me, Esther. That’s the kind of good woman I am. If Esther likes you, she’ll come to your aid as well.

I, SHEKURE
    Oh, why was I there at the window just when Black rode by on his white steed? Why did I open the shutters intuitively at that exact moment and stare at him so long from behind the snowy branches of the pomegranate tree? I can’t tell you for sure. I’d sent word to Esther by way of Hayriye. I was, of course, well aware that Black would take that route. Meanwhile, I’d gone up alone to the room with the built-in closet and the window facing the pomegranate tree to inspect the sheets in the chest. On a whim, and at just the right moment, I pushed the shutters open with all my strength and sunlight flooded the room: Standing at the window, I came face-to-face with Black, who, like the sun, dazzled me. Oh, it was quite lovely.
    He’d grown and matured and, having lost his awkward youthful lankiness, he

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