Read Online Mulholland Dive: Three Stories by Michael Connelly - Free Book Online Page A
Authors: Michael Connelly
Tags: Mystery
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gloves.
“Put your light on her chest,” he instructed Edgar.
Gloves on, Bosch leaned back in toward the body. The victim was on her left side, her right arm extending across her chest and hiding something that was on a cord around her neck. Bosch gently pulled it free.
It was a bright orange LAPD press pass. Bosch had seen many of them over the years. This one looked new. Its lamination sleeve was still clear and unscratched. It had a mug shot–style photo of a woman with blond hair on it. Beneath it was her name and the media entity she worked for.
Anneke Jespersen
Berlingske Tidende
“She’s foreign press,” Bosch said. “Anneke Jespersen.”
“From where?” Edgar asked.
“I don’t know. Germany, maybe. It says Berlin…Berlin-something. I can’t pronounce it.”
“Why would they send somebody all the way over from Germany for this? Can’t they mind their own business over there?”
“I don’t know for sure if she’s from Germany. I can’t tell.”
Bosch tuned out Edgar’s chatter and studied the photograph on the press pass. The woman depicted was attractive even in a mug shot. No smile, no makeup, all business, her hair hooked behind her ears, her skin so pale as to be almost translucent. Her eyes had distance in them. Like the cops and soldiers Bosch had known who had seen too much too soon.
Bosch turned the press pass over. It looked legit to him. He knew press passes were updated yearly and a validation sticker was needed for any member of the media to enter department news briefings or pass through media checkpoints at crime scenes. This pass had a 1992 sticker on it. It meant that the victim received it sometime in the last 120 days, but noting the pristine condition of the pass, Bosch believed it had been recent.
Harry went back to studying the body. The victim was wearing blue jeans and a vest over a white shirt. It was an equipment vest with bulging pockets. This told Bosch that it was likely that the woman had been a photographer. But there were no cameras on her body or nearby. They had been taken, and possibly had even been the motive for the murder. Most news photographers he had seen carried multiple high-quality cameras and related equipment.
Harry reached to the vest and opened one of the breast pockets. Normally this would be something he would ask a coroner’s investigator to do, as jurisdiction of the body belonged to the County Medical Examiner’s Office. But Bosch had no idea if a coroner’s crew would even show at the crime scene and he wasn’t going to wait to find out.
The pocket held four black film canisters. He didn’t know if this was film that had been shot or was unused. He rebuttoned the pocket and in doing so felt a hard surface beneath it. He knew rigor mortis comes and goes in a day, leaving the body soft and movable. He pulled back the equipment vest and knocked a fist on the chest. It was a hard surface and the sound confirmed this. The victim was wearing a bulletproof vest.
“Hey, check out the hit list,” Edgar said.
Bosch looked up from the body. Edgar’s flashlight was now aimed at the wall above. The graffiti directly over the victim was a 187 count or hit list with the names of several bangers who had gone down in street battles. Ken Dog, G-Dog, OG Nasty, Neckbone, and so on. The crime scene was in the Rolling 60s territory. The 60s were a subset of the massive Crips gang. They were at endless war with the nearby 7-Treys, another Crips subset.
The general public was largely under the impression that the gang wars that gripped most of South L.A. and claimed victims every night of the week came down to a Bloods versus Crips battle for supremacy and control of the streets. But the reality was that the rivalries between subsets of the same gang were some of the most violent in the city and largely responsible for the weekly body counts. The Rolling 60s and 7-Treys were at the top of that list. Both Crips sets operated under kill-on-sight
“Put your light on her chest,” he instructed Edgar.
Gloves on, Bosch leaned back in toward the body. The victim was on her left side, her right arm extending across her chest and hiding something that was on a cord around her neck. Bosch gently pulled it free.
It was a bright orange LAPD press pass. Bosch had seen many of them over the years. This one looked new. Its lamination sleeve was still clear and unscratched. It had a mug shot–style photo of a woman with blond hair on it. Beneath it was her name and the media entity she worked for.
Anneke Jespersen
Berlingske Tidende
“She’s foreign press,” Bosch said. “Anneke Jespersen.”
“From where?” Edgar asked.
“I don’t know. Germany, maybe. It says Berlin…Berlin-something. I can’t pronounce it.”
“Why would they send somebody all the way over from Germany for this? Can’t they mind their own business over there?”
“I don’t know for sure if she’s from Germany. I can’t tell.”
Bosch tuned out Edgar’s chatter and studied the photograph on the press pass. The woman depicted was attractive even in a mug shot. No smile, no makeup, all business, her hair hooked behind her ears, her skin so pale as to be almost translucent. Her eyes had distance in them. Like the cops and soldiers Bosch had known who had seen too much too soon.
Bosch turned the press pass over. It looked legit to him. He knew press passes were updated yearly and a validation sticker was needed for any member of the media to enter department news briefings or pass through media checkpoints at crime scenes. This pass had a 1992 sticker on it. It meant that the victim received it sometime in the last 120 days, but noting the pristine condition of the pass, Bosch believed it had been recent.
Harry went back to studying the body. The victim was wearing blue jeans and a vest over a white shirt. It was an equipment vest with bulging pockets. This told Bosch that it was likely that the woman had been a photographer. But there were no cameras on her body or nearby. They had been taken, and possibly had even been the motive for the murder. Most news photographers he had seen carried multiple high-quality cameras and related equipment.
Harry reached to the vest and opened one of the breast pockets. Normally this would be something he would ask a coroner’s investigator to do, as jurisdiction of the body belonged to the County Medical Examiner’s Office. But Bosch had no idea if a coroner’s crew would even show at the crime scene and he wasn’t going to wait to find out.
The pocket held four black film canisters. He didn’t know if this was film that had been shot or was unused. He rebuttoned the pocket and in doing so felt a hard surface beneath it. He knew rigor mortis comes and goes in a day, leaving the body soft and movable. He pulled back the equipment vest and knocked a fist on the chest. It was a hard surface and the sound confirmed this. The victim was wearing a bulletproof vest.
“Hey, check out the hit list,” Edgar said.
Bosch looked up from the body. Edgar’s flashlight was now aimed at the wall above. The graffiti directly over the victim was a 187 count or hit list with the names of several bangers who had gone down in street battles. Ken Dog, G-Dog, OG Nasty, Neckbone, and so on. The crime scene was in the Rolling 60s territory. The 60s were a subset of the massive Crips gang. They were at endless war with the nearby 7-Treys, another Crips subset.
The general public was largely under the impression that the gang wars that gripped most of South L.A. and claimed victims every night of the week came down to a Bloods versus Crips battle for supremacy and control of the streets. But the reality was that the rivalries between subsets of the same gang were some of the most violent in the city and largely responsible for the weekly body counts. The Rolling 60s and 7-Treys were at the top of that list. Both Crips sets operated under kill-on-sight
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