More Pricks Than Kicks

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Authors: Samuel Beckett
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a flutter he was anxious that there should be no flaw in the mode of presentation adopted by him as most worthy of his aquatic manner. In fact he had to have it pat in order not to have to say it pat, in order to give the impression that in the travail of its exteriorisation he was being torn asunder. Taking his cue from the equilibrist, who encaptures us by failing once, twice, three times, and then, in a regular lather of volition, bringing it off, he deemed that this little turn, if it were to conquer the salon, required stress to be laid not so much on the content of the performance as on the spiritual evisceration of the performer. Hence he paced to and fro, making a habit of the words and effects of Calvary by Night .
    The Frica combed her hair, back and back she raked her purple tresses till to close her eyes became a problem. The effect was throttled gazelle, more appropriate to evening wear than her workaday foal at foot. Belacqua's Ruby, in her earlier campaigns, had favoured the same taut Sabine coiffure, till Mrs Tough, by dint of protesting that it made her little bird-face look like a sucked lozenge, had induced her to fluff things a bit and crimp them. Unavailingly alas! for nimbed she was altogether too big dolly that opens and shuts its eyes. Nor indeed was lozenge, sucked or buck, by any means the most ignoble office that face of woman might discharge. For here at hand, saving us our fare to Derbyshire, we have the Frica, looking something horrid.
    Throttled gazelle gives no idea. Her features, as though the hand of an unattractive ravisher were knotted in her chevelure, were set at half-cock and locked in a rictus. She had frowned to pencil her eyebrows, so now she had four. The dazzled iris was domed in a white agony of entreaty, the upper lip writhed back in a snarl to the untented nostrils. Would she bite her tongue off, that was the interesting question. The nutcracker chin betrayed a patent clot of thyroid gristle. It was impossible to set aside the awful suspicion that her flattened mammae, in sympathy with this tormented eructation of countenance, had put forth cutwaters and were rowelling her corsage. But the face was beyond appeal, a flagrant seat of injury. She had merely to arrange her hands so that the palm and fingers of the one touched the palm and fingers of the other and hold them thus joined before the breast with a slight upward inclination to look like a briefless martyress in rut.
    Nevertheless the arty Countess of Parabimbi, backing through the press, would dangle into the mauve presence of the crone-mother, Caleken Frica's holiest thing alive, and
    “My dear” she would positively be obliged to ejaculate, “never have I seen your Caleken quite so striking! Simply Sistine!”
    What would her Ladyship be pleased to mean? The Cumaean Sibyl on a bearing-rein, sniffing the breeze for the Grimm Brothers? Oh, her Ladyship did not care to be so infernal finical and nice, that would be like working out how many pebbles in Tom Thumb's pocket. It was just a vague impression, it was merely that she looked, with that strange limy hobnailed texture of complexion, so frescosa , from the waist up, my dear, with that distempered cobalt modesty-piece, a positive gem of ravished Quattrocento, a positive jewel, my dear, of sweaty Big Tom. Whereupon the vidual virgin, well aware after these many years that all things in heaven, the earth and the waters were as they were taken, would vow to cherish as long as she was spared the learned praise of such an expert.
    “Maaaccche!” bleats the Parabimbi.
    This may be premature. We have set it down too soon, perhaps. Still, let it bloody well stand.
    To return to the Frica, there is the bell at long last, pealing down her Fallopian pipettes, galvanising her away from the mirror as though her navel had been pressed in annunciation.

    The Student, whose name we shall never know, was the first to arrive. A foul little brute he was, with a brow.
    “Oh Lawdee!”

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