Moonseed

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Authors: Stephen Baxter
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to the rear.
    The suburbs of Edinburgh ran away to the north. To the south there was an open area, trees and grassland, that turned out to be a golf course.
    From Mike, Henry learned that Edinburgh was in fact pretty much ringed by golf courses.
    When Henry and Mike walked up to the entrance a couple of undergraduates came out, carrying notebooks. They both seemed to have pierced tongues— my God— and, in their lurid war-paint sunscreen, to Henry they looked about twelve years old.
    There was a security check at the door. Henry signed the book, alongside where Mike had already filled in his name for him. He’d spelled it wrong: HNERY.
    Oh, Henry thought.
    The entrance hall was 1930s grandiose, but its glory was faded. There were portraits of the department’s great men on the walls, and three granite slabs with lists of former professors. But the slabs weren’t up to date, and the hall was cluttered with a couple of fish tanks and a small seismology station. Mike shrugged. “We’ve been putting in stuff for the undergraduates. That’s a saltwater aquariumover there, and this seismology station is live. Educational. But we have to scramble for the funding. And it costs a couple of hundred quid for every word you get carved on those big granite tombstones up there…”
    Thus, thought Henry, times change, and not always for the worse.
    Mike gave Henry a quick tour of the department.
    The core of the Institute was the handsome old 1930s building, tall ceilings, oak panels, echoing; the modern extensions were cramped and rambling, with cheap ceiling tiles and linoleum floors. But, like every geology lab Henry had ever been in, the place was cluttered with samples. Even in the corridors there were big oak chests of drawers, all neatly numbered by hand-drawn labels. There were basement storage areas for the bigger samples—the foundations would have had trouble with the weight otherwise—and the rocks there were stored in open pallets or, sometimes, in cruder containers, like photocopier paper boxes. There was a cold room where ocean floor core samples were stacked up, in grimy metal tubes; Mike pointed out the department’s milk store here, ready to fuel the British need for a continual tea supply.
    Rocks everywhere, all carefully labeled and tracked by a full-time curator. Grad students were encouraged to discard whatever they didn’t absolutely need for the future, but Henry knew that no geologist would willingly give up a single grain of sand.
    To Henry it felt like coming home, after the crush and squalor of the plane, the jangling confusion of his first jetlagged encounter with Edinburgh.
    The clean lab, where the Moon rock would be processed, was a couple of stories up. Henry was expecting a close cousin of the Lunar Curatorial Facility back home at JSC.
    Well, there was a small, cramped airlock chamber here, a couple of wooden doors, like JSC. But there were no bunny suits or hats. It was just another lab, dusty, lined withgrubby-looking wooden benches. There were fume cupboards on the walls, with safety notices, but their doors were ajar. Mike said the room had mostly been used, previously, by oceanographers looking for trace elements in sea water, like osmium or helium. At least there were steel-and-glass glove boxes sitting on the antique wooden benches, cheerfully bolted in place. And there were rocks, nondescript lumps, inside each of the boxes.
    There was nobody working here right now. Too early in the morning, maybe.
    “…The samples here are mostly just dummies,” Mike said. “A couple of meteorites and stuff. We really wanted to learn how to handle the samples. The containers are under positive pressure. I mean, the interiors contain air at a higher pressure than outside, so if there is any breach of containment the lunar material would be blown outward, rather than have earthly contamination blow inward. By comparison, if we were looking at radioactive material the pressure would be negative—air

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