the little girls in makeup made to look like they arenât wearing any, the confusion and chaos, babies pooping at critical moments. Stage mothers. The hot white lights and the backdrops, the occasional lamb or puppy brought in as a prop, and the sounds: big voices instructing little people, big voices trying not to yell, little voices whimpering so as not to burst into tears. While I spoke, I tried very hard not to get lost in Greggâs face and eyes. His eyebrows, though, have always gotten to me the most, arched and quizzical, as though heâs engaged in solving an endless sexual riddle. In comparison, Jacksonâs face is grainy, dry, lined, what people called rugged. It wasnât always so. Too many years at Stonewall Creek, he would say, sun, wind, erosion. I know: itâs happening to my face too.
âGregg, so what about after your engagement?â Iâd had to do that periodically through the night, prompt him. Was he hard of hearing from playing too many clubs, or merely preoccupied?
âSince my engagement,â Gregg said. âNot much, some dates here and there. Itâs been pretty lonely.â He fitted his arms around my waist. âYouâre free now, Theo.â
âNot quite.â I left it at that. My belly gurgled, as if to underscore the point.
So much for the saltines. My eyes run. I fight the heaves, the gagging. No one played war better than me click-click when I was a child. On my belly in the dirt, toy rifle in my hands , click-click, click-click, a war, somebody wants me dead . I kneel before the toilet, lift the seat; I havenât vomited in years. Over and over again goes my made-up nursery rhyme: No one played war better than me click-click, a not-unfamiliar sensation of my head being pushed down toward the toilet bowl by an unseen hand.â¦
My mother. I remember what today is: the anniversary of her death, her suicide. The day I dread each year because I feel so keenly the echo of her suicide, a small death inside myself, as though every year a portion of me turns black and diesâa finger, a toe, part of an arm or leg.
But itâs time to think differently now. The baby, if there is a baby, is counting on me, as I once counted on her . I need to see a doctor.
Dr. Grimes is a manâs man. Solid mass in a white coat, hairy hands, with a style thatâs meant to inspire men onward in battle. Dr. Grimesâwhat an appalling name for an obstetrician; maybe it keeps patients away. In any case he is able to fit me into his schedule today, whereas the wait at every other doctorâs office is weeks.
Iâm swathed in white sheets. A nurse stands at attention.
On go the rubber gloves, snap!
His fingers up me, I try to get awayâas much as one can when oneâs feet are in stirrups.
âSettle down, now, settle down.â He softens his manner, like a dairy farmer soothing a cow, fingers twisting this way and that. âHold on there, no reason to jump off the table.â
He withdraws his fingers, tears off the gloves, palpates my abdomen as though searching for lumps in a pillow.
âOw!â
âKnow what, missy?â
âWhat,â I say wearily.
âAs your urine test indicates, Iâd say thereâs a bun in the oven.â
âReally? You can feel it?â So he speaks in clichés. So what? I forgive everything. âHow far along am I?â
âEight weeks or so. Of course, weâd have to do an ultrasound to be exact. No need for thatâyou seem healthy and strapping.â Back to cow talk.
Iâm allowed to sit up.
âWhenâs my due date?â Due date: that such words even refer to me, to a baby â¦
âLate September.â Dr. Grimes checks a round sort of calendar with a dial on it. âHowâs the twenty-fifth suit you?â
âThatâd be fine. Great!â As if the date is for brunch, a social engagement.
âSee you in a month, Mrs.
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