Mignon

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Authors: James M. Cain
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she came back with Pierre, walking unsteadily, holding onto his arm. He was giggling, and carried a corkscrew in one hand. They went in 301, and when the door closed I tiptoed out.
    I floated down the hall, turned the angle, stopped at 346, and got out my skeleton key. But when I put it in the hole and twisted, nothing happened. I twisted two or three times, and still the thing stuck. Then in kind of a panic, I twisted both ways, back and forth. On forth the thing turned. Then I realized the door was open—Pierre hadn’t locked it when he went down the hall with Marie. I went in, found everything as it had been, except that a gaslight was on over the desk. The basket, when I picked it up, had all kinds of stuff in it, a newspaper, a crumpled-up cardboard box, some string, maybe papers, I don’t recollect. But in the bottom were the same old scraps I’d come for. I took everything out and dumped them out on the rug. I sprinkled my own scraps in their place, put everything back as it had been, set the basket in its place. Then, on my knees, I gathered them up, two or three at a time, and dropped them into my envelope. How long it took I don’t know, but it seemed at least an hour. I pocketed the envelope, opened the desk drawer, made sure the tablet was there, as well as a package of envelopes of the kind the note had been mailed in. I stepped to the door, got out my skeleton key to lock it, then remembered not to. I tiptoed back to 303.
    I listened, and laughing came through the partition—Marie’s laugh, and Pierre’s, everything quite gay. I poised my stick on the strip of bare boards between the rug and the wall. I was all set to let it drop, when I thought to myself: Why? You signal her, and you know what’s going to happen, as you like her, plenty. I thought: Are you, after doing all this for one woman, going to ruin it by hopping in bed with another? I thought: How can you be such a rat, after the help you’ve been given by this brave, saucy little thing, as to leave her now in the lurch, without even telling her thanks? I thought: Rat or not, that ’ s what you have to do! I shoved the stick under one arm, opened my wallet. I got out two twenties, dropped them on the bed. I put the wallet away, went to the bare boards, poised my stick again, and dropped it to make a clatter. Then I snatched it up, tiptoed quick to the hall, closed the door softly, and sneaked down the stairs, listening as I went.
    On the second floor I sensed something.
    I wheeled, and looking at me was another man with a stick, who had also apparently been listening. Suddenly I remembered him: Marie’s guard, the one I’d seen on the high stool in her gambling room. I saw he remembered me, and went plunging down to the lobby and on out to the street. I tried to tell myself I needn’t feel like a rat any more, that if this man had been brought to act as emergency guard that took all the danger out. I felt still more like a rat, a rat that had been caught.

Chapter 8
    T HAT DIDN’T GET RID OF THE FACT I had what I’d hoped to get, and as soon as I got back to my suite I worked like a wild man for the next couple of hours putting the scraps together. It wasn’t too hard a job, once I got system in it. My first gain came when I realized that pieces along the outside must have a straight edge. By studying the ones with lines and other ones without, I was able to figure out which scraps went at the top, which ones at the sides, and which ones at the bottom. When I laid them out on my escritoire blotter, I came up with kind of a frame around a blank space in the middle. Now finding edges that fitted edges was just a question of patience, and pretty soon I had all the pieces in place. Then I got out my gum arabic, the little bottle I had in my draftsman’s kit, and with that glued them in place, using hotel stationery as backing. At last I could read what they said, and it was damning so far as Burke was concerned. Because it was not only a

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