Metropolitan
There’s a source of unlimited power, and only Aiah knows where it is.
    One of the Cunning People should be able to take it from there.
    *
    She walks down Bursary Street, flame shooting from her fingertips. People scream and wither and die. Buildings explode outward at a wave of her arm. Glass shatters at her scream. Power roils in her bones like a lake of fire.
    Her own screams wake her. Heart thundering, Aiah sits bolt upright in her bed, imprisoned in her silent tower of glass.
     

CHAPTER 4
     
    The trackline car jolts and drives another blow up through Aiah’s legs and straight into her kidneys. Standing in the crowded end-of-shift car, she’s exhausted from working on New Parade for eight hours, but there’s still a bubble of energy in her spine, a phantom of yesterday’s plasm that keeps her on her feet.
    She’s heading out to Terminal again, to pick up her batteries. Two days from now is Senko’s Day and, unless Emergency Response insists she work underground on the holiday, she hopes to spend the day with her family and maybe sell some plasm.
    The trackline car jolts again and the lights flicker, then go out. The man standing behind Aiah passes the back of his hand over her thighs and buttocks. It’s normally the sort of thing she’d ignore — he’s not going to feel much through her waterproof jumpsuit anyway — but the spark of plasm dwelling in her makes her consider action, maybe a little upward jab of her elbow . . .
    The lights come on again but not fully, a strange yellow half-light that reveals nothing but sallow long-nosed Jaspeeri faces, and Aiah’s suddenly aware of the fact she’s the only brown-skinned Barkazil on the train, that she’s heading into Jaspeeri Nation territory without the formidable presence of Grandshuk backing her, and that maybe getting groped in the underground is going to be the least of her worries. Maybe, she thinks, she ought to acquire some protection. One of her relations could get her a firearm.
    At the next stop, when the crowd eases a bit, Aiah moves to another place. From here she can see the platform with its spread of advertising: the new Lynxoid Brothers chromoplay, the new Aldemar thriller, an ad for cigarets, others for beer, for Gulman shoes (“Meet for the Street”), and a new chromo called Lords of the New City . She’s heard some of the buzz about this last item, because it’s directed by Sandvak and is supposed to be based on the life of Constantine. The lead is played not by an actor but by the opera singer Kherzaki, who’s supposed to give the role a unique quality of grandeur.
    Constantine was always in the news when she was younger. Lords of the New City isn’t the first chromo made about him and the wars in Cheloki, just the first to garner such prestige. His name and image and cause had hypnotized half the world. When she was in school she had a picture of Constantine up above her desk, and she’d read his books Power and the New City and Government and Liberty .
    One of her cousins, Chavan, had even been inspired to go off and fight for Constantine — though he ended up getting arrested for petty theft in Margathan and never got as far across the world as Cheloki.
    Horn Twelve transmit 1800 mm. Tfn.
    She can’t imagine what Constantine is doing in Mage Towers. Jaspeer seems far too tame for him.
    Maybe everyone gets old, she thinks. Maybe he’s just sitting up there using his talents to create aerial displays for Snap! or Aeroflash cars.
    The trackline car lurches away from the station. Terminal is two stops up the track. It’s time for Aiah to start maneuvering through the packed commuters toward the doors. Jaspeeri Nation territory. She’ll try to be careful.
    Whatever “careful” means in this situation.
    *
    As Aiah comes up she finds the building superintendent drinking on the stoop with some of his cronies, big men with beer bellies and callused hands. The superintendent looks at her sourly.
    “Still got business in my

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