judgment.â
âUm, ok. When should we get together?â
âLater. Iâll call you later this afternoon.â
âPeople to do, things to see, right?â
âYes, laterââ
âOk, Buddy, Iâllââ
Eric hung up.
âI have someplace to be,â Sandy said.
âSomeplace,â Eric repeated, stupidly.
âYes.â
âOk, Iâll drop you.â
âJust drop me at Hueyâs,â Sandy said.
âHueyâs. Yeah, you know, itâs almost lunch time. I could use a burger.â
Sandy looked at him with every single year of their being together knit into her brow.
âRight,â Eric said.
After she kissed his cheek on Madison Avenue and he had driven away, Eric felt like he couldnât make this movie. Not here in Memphis, not ever. It was all coming apart, he thought, though really it hadnât had a chance to come together.
He stopped at a Piggly Wiggly parking lot to check his calls.
There werenât as many as he had expected. The cast were probably happy about the day off, the crew probably pissed that they had to work. No further call from Dan.
No call from Hope Davis. Hope doesnât spring eternal. It doesnât spring at all.
There was, however, a call from Mimsy Borogoves. Eric got a particular buzz dialing her number, a schoolboy buzz.
âHi, Mimsy, this is Eric Warberg.â
âSo formal. I can see itâs you, you see. It says so on my phone. And I chose to answer it unlike you who only call back later.â
Was she ragging him or flirting? Eric never knew. Eric never knew.
âI was in a meeting,â Eric said. Jesus, what a Hollywood answer.
âUh-huh.â
âWith a writer.â
âUh-huh. I thought your wife wrote all your scripts.â
âSheâs not my wife. No, what I mean is, no, she does write all my scripts but there is always input from other writers. Thatâs just the process. Do you know Camel Eros?â
âCamel Jeremy Eros?â
âYes.â
âReally?â
âNo good? Weâre barking up the wrong dog?â
âNo. I donât know. Camel. I havenât seen him in forever.â
âOh, so you know him.â
âWell, who knows Camel? He was a friend of my fatherâs. They went to jail together. This was, oh, I donât know, the garbage strikeâwas that 1968?â
âYes, I think thatâs right.â
âCamel, huh.â
âSo, what for you call me, Mimsy Borogoves?â
âWanna get some lunch?â
âI do. I really do.â
âHueyâs?â she asked.
âUm, no. LetâsâI donât knowâletâs go someplace far away from Hueyâs.â
âOk, Mr. Mystery. Do you know how to get to Gusâs? Best fried chicken in the world.â
When they were seated in the large room at a small square table Eric couldnât help but think that Mimsy Borogoves was even prettier than he remembered. She was white like spirit matter, pale as ghost orbs, the backscatter in a photograph. She was positively lucent.
âWhatâs good here?â Eric asked.
âGet the chicken.â
They laughed a mutual laugh, one of those that makes a bond, a warmth transmitted. He wanted to put his hand on her hand, which rested next to her water glass. The light through the water glass lit her hand, making it resemble fine marble, or glazed pottery.
He put his hand on her hand.
âTell me things,â he said.
Mimsy Borogoves looked long into his face. She was deciding something but Eric could only guess what.
âItâs true, isnât it, the Hollywood stereotype? The director who beds women left and right because every female has illusions about being in the movies. Thatâs you, isnât it? Thatâs who youâve become.â
âIs that why you wanted to get together? To castigate me for my profligate ways without even knowing what
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