Gytha?â
âFine, fine,â said a muffled voice.
âOnly I reckon the coach driver is getting a bit impatient.â
âYou canât hurry Nature,â said Nanny Ogg.
âWell, donât blame me. You was the one who said it was too draughty on the broomsticks.â
âYou make yourself useful, Esme Weatherwax,â said the voice from the bushes, âby obliginâ me and findinâ any dock or burdock plants that might happen to be around out there, thank you very much.â
âHerbs? Whatâre you planninâ with them?â
âIâm planninâ to say, âThank goodness, big leaves, just what I need.ââ
*Â Â Â Â *Â Â Â Â *
Some distance from the bushes where Nanny Ogg was communing with Nature there was, placid under the autumn sky, a lake.
In the reeds, a swan was dying. Or was due to die.
There was, however, an unforeseen snag.
Death sat down on the bank.
NOW LOOK , he said, I KNOW HOW IT IS SUPPOSED TO GO. SWANS SING JUST ONCE, BEAUTIFULLY, BEFORE THEY DIE. THATâS WHERE THE WORD âSWAN-SONGâ ORIGINATES. IT IS VERY MOVING. NOW, LET US TRY THIS AGAIN â¦
He produced a tuning fork from the shadowy recesses of his robe and twanged it on the side of his scythe.
THEREâS YOUR NOTE â¦
âUh-uh,â said the swan, shaking its head.
WHY MAKE IT DIFFICULT?
âI like it here,â said the swan.
THAT HAS NOTHING TO DO WITH IT.
âDid you know I can break a manâs arm with a blow of my wing?â
HOW ABOUT IF I GET YOU STARTED? DO YOU KNOW âMOONLIGHT BAYâ?
âThatâs no more than a barbershop ditty! I happen to be a swan!â
â LITTLE BROWN JUG â? Death cleared his throat, HA HA HA, HEE HEE HEE, LITTLE â
âThatâs a song?â The swan hissed angrily and swayed from one crabbed foot to the other. âI donât know who you are, sirrah, but where I come from weâve got better taste in music.â
REALLY? WOULD YOU CARE TO SHOW ME AN EXAMPLE?
âUh-uh!â
DAMN.
âThought youâd got me there, didnât you,â said the swan. âThought youâd tricked me, eh? Thought I might unthinkingly give you a couple of bars of the Pedlarâs Song from Lohenshaak , eh?â
I DONâT KNOW THAT ONE.
The swan took a deep, laboured breath.
âThatâs the one that goes âSchneide meinen eigenen Halsâââ
THANK YOU , said Death. The scythe moved.
âBugger!â
A moment later the swan stepped out of its body and ruffled fresh but slightly transparent wings.
âNow what?â it said.
THATâS UP TO YOU. ITâS ALWAYS UP TO YOU.
Mr Bucket leaned back in his creaky leather chair with his eyes shut until his director of music had finished.
âSo,â Bucket said. âLet me see if Iâve got this right. Thereâs this Ghost. Every time anyone loses a hammer in this place, itâs been stolen by the Ghost. Every time someone cracks a note, itâs because of the Ghost. But also , every time someone finds a lost object, itâs because of the Ghost. Every time someone has a very good scene, it must be because of the Ghost. He sort of comes with the building, like the rats. Every so often someone sees him, but not for long because he comes and goes like a ⦠well, aGhost. Apparently we let him use Box Eight for free on every first-night performance. And you say people like him?â
ââLikeâ isnât quite the right word,â said Salzella. âIt would be more correct to say that ⦠well, itâs pure superstition, of course, but they think heâs lucky. Thought he was, anyway.â
And you wouldnât understand a thing about that, would you, you coarse little cheesemonger , he added to himself. Cheese is cheese. Milk goes rotten naturally. You donât have to make it happen by having several hundred people wound up
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