by tulips, and out the windows to stars. In elaborate gilded bird-beak masks, partygoers passed me. Even the music was like a dream, a foreign, pulsing air. And there, in the bustling courtyard, I spotted her at last—Christina, Queen of Sweden. She was dressed as an Amazon. Her entire breasts were bared, her knees. O excellent scandal! O clever ladies’ chatter! But privately I admired the queen’s gold helmet and cape, and her hand that rested lightly on the hilt of her handsome sword.
The following morning, a messenger rang the bell. William was out atop a horse, so I received the note. The widow was not pregnant. I asked the cook to fix his favorite meal. Over a pie of eels and oysters, I gently broke the news. “It will all be for the best,” I said. I didn’t say it might be best for the widow as well. I didn’t say: There’s no telling a child will be any comfort to its mother at all.
WHEN THE SCHELDT FROZE THIS TIME, I STOOD AT THE WINDOW , watching Antwerp’s well-to-do slide by. Their sleighs, gliding, were lit by footmen with torches. William easily persuaded me to go out. Bundled in blankets, we rode to the shore, to revelers skating, vendors selling cakes and fried potatoes under lamps. The frozen expanse glistened in the dark, icicles licking the pier like devil’s tongues. William stepped down and waited for me to follow. And—oh!—how I longed to go, to dance with him on incorporeal legs. But I couldn’t. Or I wouldn’t. He climbed back up. We turned around. William looked strangely heartbroken, and we rode through the streets in silence. Then alone at my desk, I imagined a frozen river in me: “a smooth glassy ice, whereupon my thoughts are sliding.”
ANTWERP TO THE CHANNEL
1658–1660
WHEN YOUNG KING CHARLES II CAME FROM PARIS TO VISIT HIS brothers (the dukes) and sister (now Princess of Orange), William proposed a ball: “Opulent, of course, yet fittingly refined.” We stuffed Delft bowls with winter roses—their petals tissue-thin—and draped the painter’s studio in silk. Dancing was of the English country style, with arched arms and curtsies, embroidered twists and knots. “Lavish,” it was whispered. And sixteen hired servants carried dinner on eight enormous silver chargers—half through the eastern door, half through the west, meeting at a table in the center of the room. I managed the evening from a confluence of my own, a merging of myself, my present and my past, as if half of myself were here, myself, while the other half was still in Oxford clutching the queen’s fox train. Back then I’d been but a maid—and awkward and shy—whereas tonight I was a marchioness and seated beside the king. “Did you know,” he leaned in close, “you are something of a celebrity in London?” In truth, I’d heard as much. Still, I blushed as pink as the ham. “And it seems your husband’s credit,” he winked, “can procure better meat than my own.” At two in the morning, we toasted the Commonwealth’s downfall. And seven months later, by God’s blessing, Cromwell was dead.
WILLIAM WAS HUNTING IN THE HOOGSTRATEN WHEN THE NEWS hit. In Paris, Rotterdam, Calais, Antwerp, exiles danced in the street.
Cromwell was dead.
I was at my desk.
Then, a creeping kind of peace. For some months nothing happened. There were skirmishes, flare-ups, but nothing of any substance. Not until December of the following year was William confident of a speedy restoration. He began, in delight, to compile a book of counsel, to be handed to the young king at some sympathetic moment. “Monopolies must be abolished,” he wrote. “Acorns should be planted throughout the land.” But above all else—and here he was firm—the king must circulate, must be as a god in splendor, and make the people love him “in fear and trembling love,” as they once loved Queen Elizabeth, for “of a Sunday when she opened the window the people would cry, ‘Oh Lord, I saw her hand, I saw her hand.’ ”
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