them in a plastic bag before going back down the spiral stairway.
On his way, he picked up the shoemakerâs card in the ashtray, went into the vestibule and took out the clothes that had been stuffed into the washing machine. They had not been washed. He inspected the pockets and found a crumpled cigarette paper at the bottom of a jeans pocket, with a few words scribbled on it in pencil: Ituzaingô 69 . . .
Heâd already been there for half an hour. Ruben looked around the loft one last time. It was impossible to tell whether someone else had already searched it, whether MarÃa had left in a hurry, or why she was no longer giving any sign of life. He had seen no scratches on the lock, and so the front door had not been forced, but something was bothering him; he could not say what it was. He glanced into the toilet room before leavingâthe cat litter was dirtyâand noticed a strange series of pendants on the door, artistic compositions in plastic hanging on a string. Her specialty, it seemed. A series of humorous ready-mades, some with punning titles, others without. Then Rubén saw the pregnancy test hung on the toilet door: â
Terme au mètre.
â
The pregnancy test was positive.
4
Rubén didnât have a cat. Cats spent their time crawling all over him, curling up in his clothes if heâd been so unfortunate as to leave them lying around, rubbing them with their muzzles as they looked for the armpit, and he much preferred the company of women, even if it was episodic. The fact that he had never lived with anyone did not change his image of women, his desire for new romantic adventures: women just didnât last, thatâs all. He had spent years reconstructing himself after his detention. The balance was fragile, and certainly unpredictable, so what. Rubén lived in a pit of archives, faces that had disappeared, too much dust, file folders, with corpses between the pages and on the walls, a cage from which he watched women pass by. None of them had stayed long, or he had not held onto any of them, which for him amounted to the same thing: Rubén told himself that at the age of forty-seven it was too late. He was not expecting anything in particular and his solitude didnât need anyone. The time for affairs en passant was over, his fatherâs poetry, which he knew by heart, would be of no use to him, he was reduced to silence, to nothing, words had long since betrayed him, and the stars didnât give a damn.
He was attached to the void. As for seeking a kindred spirit, it was already there, in the closet, near the bed where no woman would ever sleep again.
Rubén put on a Ufomammut CD to drown out the noise of the air lane that passed over the intersection of San Juan and Peru, aired out the bedroom where he woke up, and had a coffee-croissant-cigarette breakfast that struggled to compensate for too little sleep. The business with the cat continued to bother him: if the buildingâs concierge had found it meowing on the landing, MarÃa Victoria must have deliberately put it out so that it would be taken inâin which case she had fled without even taking the time to leave it with the conciergeâor else it had escaped. How? The loftâs windows were closed, but the animal might have been able to sneak out when the front door was opened. Had it been frightened by someone breaking in?
Sparrows were chirping excitedly outside the window, charming little monsters imported from France that had driven out the native
calandria.
Rubén gave them the remains of his breakfast, took a shower, and mentally drew up a list of his leads.
âA telephone message left the day before from a cell phone (âMiss Boliviaâ).
âThe photos of a singer that were hung on a string.
âA crumpled piece of paper in the bottom of a pocket of a pair of jeans thrown in the dirty laundry, with what looked like an address (âItuzaingó
Patricia Hagan
Rebecca Tope
K. L. Denman
Michelle Birbeck
Kaira Rouda
Annette Gordon-Reed
Patricia Sprinkle
Jess Foley
Kevin J. Anderson
Tim Adler