Mandarins

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Authors: Ryûnosuke Akutagawa
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I glanced round and saw that having greatly quickened our pace, we were now south of Ry ō goku Bridge, approaching Shubi-no-matsu , its trunk and branches appearing in the night to be of an even deeper ebony.
    â€œEager to broach the subject of Madame Katsumi, I quickly pursued Miura’s comment:
    â€œâ€˜If you yourself are so attached to older ways, what will you do about your modern wife?’ I asked, testing the waters.
    â€œFor several moments, as though he had not heard my question, Miura gazed at the still moonless sky above Otakegura. Finally, hefixed his eyes on me and said softly but firmly: ‘I shall do nothing. As of about a week ago, we are divorced.’
    â€œQuite taken aback by this unexpected reply, I gripped the gunwales of the boat.
    â€œâ€˜So you knew?’ I asked in a strained voice.
    â€œMiura continued with the same air of calm as before:
    â€œâ€˜So you knew it all too?’ he asked, throwing the question back at me, as though by way of confirmation.
    â€œâ€˜Perhaps not everything. I did hear about her ties to Madame Narayama.’
    â€œâ€˜And about my wife and her cousin?’
    â€œâ€˜I had some glimmerings of it . . .’
    â€œâ€˜Then surely I need say no more.’
    â€œâ€˜But, but . . . When did you become aware of the relationship?’
    â€œâ€˜Between my wife and her cousin? About three months after our marriage—just before commissioning her portrait with the painter Gozeta H ō bai.’
    â€œThis response too, as you can well imagine, was quite astonishing.
    â€œâ€˜But why, until now, have you tacitly accepted the outrage of it all?’
    â€œâ€˜I did not accept it tacitly—but rather quite openly.’
    â€œFor the third time, I was dumbfounded. For several moments I merely stared at him in stupefaction.
    â€œâ€˜Mind you,’ he said without the slightest trace of insistence, ‘the relationship of which I approved between my wife and her cousin was the one that I had painted in my imagination, not the one that presently exists. You will remember that I insisted on a marriage based on amour . This was not to satisfy my own egotism; it was rather the consequence of my having placed love above all things. Thus, whenonce we were married I came to understand that the bonds of affection between us were less than genuine, I regretted my precipitancy and at the same time felt pity for her, now that she was obliged to live with me. As you know, I have never been in the best of health. Moreover, despite my efforts to love my wife, she has been unable to love me—or perhaps it may be that my notion of amour was from the beginning such a paltry thing that it could never have inspired passion in her. If therefore there was such true affection between my wife and her cousin, who have known one another since childhood, I would gallantly sacrifice myself to their happiness. Not to do so would be, in effect, to renounce the supremacy of amour . It was for that eventuality that, in fact, I intended the portrait of my wife—to hang in my study as a replacement for her.’
    â€œAs he spoke, Miura again looked to the sky above the opposite bank. It was as though a black curtain had fallen from the sky, enveloping the towering chinquapins of the Matsuura estate in gloom, with no sign of a cloud from out of which the moon might appear. I lit a cigarette and urged him to continue: ‘And then?’
    â€œâ€˜I learned soon thereafter that the love between my wife and her cousin was something impure. To put it bluntly, I discovered that he also had a liaison with Madame Narayama. I am sure that you will not have any particular desire to know how I acquired such knowledge, and I myself do not wish to elaborate. Suffice it to say that it was by pure chance that I found them together.’
    â€œI let the ashes of my cigarette fall over the gunwale as I vividly recalled the memory of the

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