says. âOur couch is your couch. You know that.â
âI hate my father,â I say.
âWeâll adopt you,â she says. I still canât believe she is the same person she was when they got married seven years ago. It doesnât seem possible. She changed so much after my father and she split up.
âCanât you marry him again?â I say. âWouldnât that be easiest?â I want the family in my head, the one that doesnât make me feel alternately claustrophobic and untethered. The completely nonexistent one.
âCome over, sweetheart. Help me make dinner. We can talk about your dad being the worst,â Natasha says. That doesnât sound right either. I donât want to hate on my father with his ex-wife. It is impossible to decipher what the fuck I want, to be honest.
âThatâs okay. Thanks. Iâll come over this week for sure. Itâs okay. Iâm okay.â I donât sound believable, but Natasha believes me.
When I hang up, I decide that what I really need, what will really help, is seeing Bernardo after I have it out with Karissa. I tell him to come by later.
That feels good and all, but I miss the other day and Karissaâs party and the way the world was opening up, because now it is closing back in.
eight
When I first met Karissa, she had on a pink camisole, a brown leather vest, and no bra. She did a monologue from the play No Exit , and everyone in class watched her with the jaw-open, wet-eyed look of people realizing they arenât good enough.
âAmazing job,â our teacher said. âNow do it again, but remember that your whole life all anyoneâs wanted from you is sex. And you love it, but youâre tired of it too. Right? Donât apologize halfway through. Itâs not okay, what theyâve done to you. How theyâve treated you. And you know that, but you also know itâs your only power. You understand what Iâm saying, Karissa?â
Karissa teared up. She scratched her thighs with her silver fingernails and looked at the ceiling for too long a moment. Donna didnât like when we tried to escape a difficult part of a scene by sighing or looking away or diffusing it in any way.
âNo, no, leap right in! Get in there!â the teacher said.
This time, Karissa got choked up halfway through the monologue.The class nodded in unison at the perfection. When she got to the last line, she was on her knees. She was crying, but not wiping away the tears. Not choking them back.
No one from the outside was supposed to watch class. It was supposed to be a safe, private space. And I guess it mostly was, but the day that Karissa nailed her monologue, my father was at the door, peering in through the tiny window, watching the way her mascara tears made a spiderweb over her face. On someone else it might have looked messy and ugly, but on Karissa, with her brunette waves and unlined, practically translucent face, it was romantic. The mascara made a paisley pattern, black on white, and she looked masked rather than destroyed.
âWho was that?â Dad said after we walked in silence through Washington Square Park to our favorite place in the village, Caffe Reggio.
âWho?â I said.
âThe beautiful one. Without the bra,â Dad said.
Karissa is not the kind of woman my dad usually calls beautiful.
The wife he was just about to divorce, Tess, has D cups and platinum hair and an impossibly flat stomach. My father likes impossibly perfect women. He likes them because he makes them possible.
Thatâs why when he tells me Iâm beautiful, it reeks of lies. I know better. I know what he really sees when he looks at me.
âPlease do not talk about my classmatesâ bras,â I said. âOr better yet, please do not say âbraâ to me. Ever. Please extract the word from your vocabulary.â I dropped my voice on the word bra because thecafé was cramped and the
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