Lucia

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Authors: Andrea Di Robilant
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the Venetian oligarchy.
    The pressure on Lucia to ensure the future glory of the Mocenigos by producing a healthy baby boy started immediately. Chiara, Lucia’s mother-in-law, lived in her own apartment in Palazzo Mocenigo, and often dropped by to keep her daughter-in-law company, staying on for a cup of chocolate or a lunch
à deux.
On such occasions, it was never very long before she turned to her favourite subject. Indeed it sometimes seemed it was her
only
topic of interest. Lucia wondered whether Chiara had been made to feel the same pressure from the Mocenigos when she was a young spouse. The survival of the dynasty had depended on her as well, and she had acquitted herself by giving birth to Alvise. Even though she had had a stressful life with her husband, suffering in silence as he humiliated her and made a fool of himself in the main courts of Europe, she had never lost her deep sense of loyalty to the family she had married into. Over and over, during her visits and in her notes and letters, she impressed upon Lucia the urgency of giving Alvise a son.
    Alvise too was evidently keeping up the pressure: a month after the wedding, Lucia, barely seventeen, was already pregnant. It was a difficult pregnancy from the start and she was unwell for most of the first three months. The physical discomfort was made even worse by all the fuss her new relatives created around her. She missed her intimate conversations with Paolina. Most of all, she missed the comforting company of her mother, whose fading memory she now cherished even more lovingly than in the past.
    The pain became more severe as the summer advanced, and by early August Lucia had her first miscarriage. Memmo, feeling his daughter’s pain but well aware of the unpleasant suggestions that came with an aborted pregnancy, remarked with sadness that the loss of the child was the only blemish on an otherwise exemplary marriage.
    When the family pressure on Lucia resumed in the autumn, she was in many ways a changed woman, as if the miscarriage had put her life into sharper focus. Her letters to Alvise show that she had shed much of her shyness, and gained a greater sense of purpose and resolve. She was going to work even harder at loving her husband and giving him a son. True, she still spent most of her time with her maid, Maria, giving half-hearted instructions to the staff and waiting for her increasingly busy husband to come home. But now she ventured out to the theatre and visited childhood friends from before her Roman years. She also became more demanding and more passionate in her love notes to Alvise. “A dangerous wind has been blowing for the past half hour and I hope this means you have decided not to travel [to the mainland],” she wrote to her husband at the Senate. “My dearest Alvise, give me this great token of your love: arrange matters in such a way that I shall see you at the theatre tonight and I assure you that you will make my happiness.” How exasperating it was, she wrote to him another day, that Alvise was conducting business “in this very same
palazzo
” and yet “we cannot see each other and kiss.” And yet another time: “Oh please wrap up your endless talks and come rejoice in the presence of the one who loves you with all her soul.” To her delight, she noticed her sweet calls were often effective: Alvise would steal away from his endless chores and duties, suddenly appearing at the
riva,
and Lucia would have her treasured moment of triumph. There was a new playfulness between them, as when, shortly after an amorous encounter, she sent an envelope to Alvise containing a square piece of paper no bigger than a stamp on which she had scrawled in tiny writing and in French—the language of love and mischief:

    Aimez-vous Lucille?
    Elle vous adore *4
10

    By the end of the winter of 1788, less than a year after the wedding, Lucia was pregnant again. Her mother-in-law started to hover while the family circle tightened around her.

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