Love Monkey

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Authors: Kyle Smith
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his Wranglers.

Tuesday, July 10
    G et off the train at Broadway and Fiftieth. Right outside the entrace, at one of the busiest intersections in the city, is stationed the beggar Nazi. He’s like an armored personnel carrier, with a long line of big ugly metal newspaper boxes chained together guarding his right flank. His dirty camouflage-patterned pants scream Vietnam veteran or, more likely, given that the war ended twenty-six years ago and he appears to be no more than forty, Army-Navy shopper . Like every good Nazi, he even has a German shepherd ( ABUSED PUPPY , reads a calculatedly unverifiable handwritten sign). He has made it impossible to pass without a lengthy detour. So we have to go right into the maw of his mechanized begging, right by the sawnin-half Tide bottle filling with coins, which he shakes like a grubby maraca. In the fifty seconds I wait for the light to change, I see people give him about seventy-five cents. That’s ninety cents a minute. Times eight hours. The guy is making four hundred dollars a day,tax free. Sometimes he decides to cross the street for a cup of Dunkin’ Donuts coffee. To minimize his time off the clock, he doesn’t bother to pretend his legs don’t work at these moments; he zips along in a sort of seated run, pushing off with his feet while he hangs on to the leash with both hands. Mush. The dog bolts through the crowd of speed-walking office drones. Only by skipping sideways do I avoid unsightly tire tracks on the back of my shirt. But I don’t let him get away with it. I shoot him a really nasty glare after he passes by. People ahead of me scatter as the guy thunders through like a sawn-off Ben-Hur. They turn around angrily and see: a guy in a wheelchair. They’re so ashamed of this feeling that they resolve to vote themselves another tax increase the next chance they get.
    I arrive at work feeling mean. Meaner than Saddam, meaner than Stalin, meaner than a French waiter. Get in the elevator. A familiar crone with a bald spot and a cloud of Eau de Decay perfume is the only other passenger. Is she a copy editor? A librarian? Someone I dated?
    â€œHi!” she says.
    â€œHow’s it going?” I mutter.
    â€œPretty good!” she says.
    And I can feel it coming. The weather conversation.
    â€œWasn’t that a beautiful weekend?” she says.
    A conversation is a workout, an exercise in discovering a topic that interests both of you. Weather is pretty much the broadest thing people can possibly have in common, isn’t it? It’s just one step removed from, “I’ve noticed we both live on planet Earth. Isn’t it a great planet?” As for weekend nostalgia: it should expire by noon on Monday.
    â€œYeah,” I say, ransacking my backpack for a magazine to occupy me for these final forty seconds.
    â€œIt was warm,” she analyzes, “but it wasn’t sticky at all!”
    What do people in L.A. talk about in elevators? “I wonder if it will be seventy-five and sunny today?” Then again, to the kind of people who gave us the USA Network, this might qualify as snappy banter.
    â€œSure was!” I say, importantly flinging open a leaflet from the Learning Annex someone (okay, a girl with smiley eyes and a white oxford shirt on which only three of the seven buttons were in active service) shoved into my starstruck hand at Eighty-sixth and Broadway. I smear a look of fascination on my face and pretend to read an article about male breast cancer.
    Ding, says the elevator, and I’m free.
    Another bright morning at the comic. Today’s assignment: write a book review. That new John Adams book by David McCullough. As a critic I must remain scrupulously neutral, fair, unbiased. To keep my mind absolutely free of prejudice, I haven’t read a word of it. Instead I’m reading NEXIS clips of all the other reviews. My review will therefore be a sort of metareview. A review of reviews. As we often

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