Love in the Time of Cholera

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Authors: Gabriel García Márquez, Edith Grossman
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offered to accompany him, if one of those new automobiles had not suddenly driven across the mudhole of the patio, splashing the musicians and rousing the ducks in the barnyards withthe quacking of its horn. It stopped in front of the portico and Dr. Marco Aurelio Urbino Daza and his wife emerged, laughing for all they were worth and carrying a tray covered with lace cloths ineach hand. Other trays just like them were on the jump seats and even on the floor next to the chauffeur. It was the belated dessert. When the applause and the shouted cordial jokes had ended, Dr. UrbinoDaza explained in all seriousness that before the storm broke, the Sisters of St. Clare had asked him to please bring the dessert, but he had left the King’s Highway because someone said that his parents’ house was on fire. Dr. Juvenal Urbino became upset before his son could finish the story, but his wife reminded him in time that he himself had called for the firemen to rescue the parrot.Aminta de Olivella was radiant as she decided to serve the dessert on the terraces even though they had already had their coffee. But Dr. Juvenal Urbino and his wife left without tasting it, for there was barely enough time for him to have his sacred siesta before the funeral.
    And he did have it, although his sleep was brief and restless because he discovered when he returned home that the firemenhad caused almost as much damage as a fire. In their efforts to frighten the parrot they had stripped a tree with the pressure hoses, and a misdirected jet of water through the windows of the master bedroom had caused irreparable damage to the furniture and to the portraits of unknown forebears hanging on the walls. Thinking that there really was a fire, the neighbors had hurried over when theyheard the bell on the fire truck, and if the disturbance was no worse, it was because the schools were closed on Sundays. When they realized they could not reach the parrot even with their extension ladders, the firemen began to chop at the branches with machetes, and only the opportune arrival of Dr. Urbino Daza prevented them from mutilating the tree all the way to the trunk. They left, sayingthey would return after five o’clock if they received permission to prune, and on their way out they muddied the interior terrace and the drawing room and ripped Fermina Daza’s favorite Turkish rug. Needless disasters, all of them, because the general impression was that the parrot had taken advantage of the chaos to escape through neighboring patios. And in fact Dr. Urbino looked for him in thefoliage, but there was no response in any language, not even to whistles and songs, so he gave him up for lost and went to sleep when it was almost three o’clock. But first he enjoyed the immediate pleasure of smelling a secret garden in his urine that had been purified by lukewarm asparagus.
    Hewas awakened by sadness. Not the sadness he had felt that morning when he stood before the corpseof his friend, but the invisible cloud that would saturate his soul after his siesta and which he interpreted as divine notification that he was living his final afternoons. Until the age of fifty he had not been conscious of the size and weight and condition of his organs. Little by little, as he lay with his eyes closed after his daily siesta, he had begun to feel them, one by one, inside his body,feel the shape of his insomniac heart, his mysterious liver, his hermetic pancreas, and he had slowly discovered that even the oldest people were younger than he was and that he had become the only survivor of his generation’s legendary group portraits. When he became aware of his first bouts of forgetfulness, he had recourse to a tactic he had heard about from one of his teachers at the MedicalSchool: “The man who has no memory makes one out of paper.” But this was a short-lived illusion, for he had reached the stage where he would forget what the written reminders in his pockets meant, search the entire house

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