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Authors: Antonia Fraser
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Valladollid en Las Indias, Reyno de Mechoacau … Luis XIV el Grande
Verney, Margaret M., Memoirs of the Verney Family, vols III & IV, 1894 & 1899
Vie des Français au temps du Roi-Soleil, L'Histoire au Quotidien, ed. François Trassard, 2002
Vigarello, Georges, Concepts of Cleanliness. Changing attitudes in France since the Middle Ages, trans. Jean Birrell, Cambridge, UK, 1988
Vinha, Mathieu da, Le valets de chambre de Louis XIV, 2004
Visages du Grand siècle: Le portrait français sous le régne de Louis XIV. 1660–1715, Musée des Beaux Arts de Nantes, Nantes, 1997
[Visconti] Mémoires de Primi Visconti sur la cour de Louis XIV 1673–1681, introd. & notes Jean-François Solnon, 1988
Voltaire, Le siècle de Louis XIV, 1910
Whittaker, Katie, Mad Madge. Margaret Cavendish, Duchess of Newcastle, Royalist, Writer and Romantic, 2003
Wolf, John B., Louis XIV, 1968
Ziegler, Gilette, The Court of Versailles in the Reign of Louis XIV, trans. Simon Watson Taylor, 1966
The château of Saint-Germain-en-Laye where Louis was born in 1638.
Louis XIV aged about twelve; the beauty of the boy King - the ‘Godgiven' child - was the subject of general comment, and his flowing, golden brown hair (which darkened with age) particularly admired.
Louis XIV dancing the role of Apollo, God of the Sun, at the age of fourteen; the image of Louis as the ‘Sun King' was carefully cultivated.
Anne of Austria as a young woman was vivacious and attractive, also a noted equestrian, a taste Louis inherited; she had many admirers, including the Duke of Buckingham, although her intimates believed these flirtations remained chaste.
Louis XIV in his early, twenties about the time he began his personal rule. By Nicolas Mignard.
The figure of Reputation holds a medallion of Louis XIV.
The Grande Mademoiselle as Minerva, patroness of the Arts; she holds a portrait of her father, Gaston Duc d'Orléans.
Marie Mancini (right), the first love of Louis XIV, with her sister Hortense; although Cardinal Mazarin was her uncle, he was horrified at the possibility of the King making such a comparatively lowly marriage.
Philip IV greets Louis XIV on the occasion of his wedding to the Infanta Maria Teresa, 1660; her stiff ceremonial attire symbolizes her formal and restricted upbringing at the Spanish court.
Two Queens of France: Anne of Austria with Marie-Thérèse, who was her niece as well as her daughter-in-law, with the Dauphin, from birth a remarkably robust child.
Queen Marie-Thérèse and her only surviving child, the Dauphin Louis de France, by Pierre Mignard.
Anne of Austria, mother of Louis XIV, as a widow (her husband died when she was in her early forties); she retained her love of magnificent jewellery, her bracelets in particular drawing attention to her famously beautiful hands.
The triumphant figure of Louis XIV depicted on a warhorse outside Maastricht, which he besieged successfully in June 1673; a new militaristic image as his plans for conquest increased.
As European opinion turned against Louis XIV and his military ventures became less successful, here were numerous satirical attacks on him. An anonymous engraving of 1693, ‘Louis Retreats with his Seraglio', shows him with a column of ladies behind him.
Louise de La Vallière, the virginal young girl whom Louis made his mistress and who bore him several children; no one described her as beautiful but everyone found her appealing.
Louise de La Vallière as a huntress: despite her seemingly frail physique, Louise was an accomplished rider, something which made her an ideal companion for the King.
Athénaïs de Rochechouart de Mortemart, Marquise de Montespan, who was the King's maîtresse en titre for seventeen years; her beauty, including the curling hair admired by Madame de Sévigné and her large blue eyes, dazzled contemporaries. By Louis Elle Ferdinand II.
Athénaïs reclining in front of the gallery of her château at Clagny; her frequent pregnancies meant that
Verney, Margaret M., Memoirs of the Verney Family, vols III & IV, 1894 & 1899
Vie des Français au temps du Roi-Soleil, L'Histoire au Quotidien, ed. François Trassard, 2002
Vigarello, Georges, Concepts of Cleanliness. Changing attitudes in France since the Middle Ages, trans. Jean Birrell, Cambridge, UK, 1988
Vinha, Mathieu da, Le valets de chambre de Louis XIV, 2004
Visages du Grand siècle: Le portrait français sous le régne de Louis XIV. 1660–1715, Musée des Beaux Arts de Nantes, Nantes, 1997
[Visconti] Mémoires de Primi Visconti sur la cour de Louis XIV 1673–1681, introd. & notes Jean-François Solnon, 1988
Voltaire, Le siècle de Louis XIV, 1910
Whittaker, Katie, Mad Madge. Margaret Cavendish, Duchess of Newcastle, Royalist, Writer and Romantic, 2003
Wolf, John B., Louis XIV, 1968
Ziegler, Gilette, The Court of Versailles in the Reign of Louis XIV, trans. Simon Watson Taylor, 1966
The château of Saint-Germain-en-Laye where Louis was born in 1638.
Louis XIV aged about twelve; the beauty of the boy King - the ‘Godgiven' child - was the subject of general comment, and his flowing, golden brown hair (which darkened with age) particularly admired.
Louis XIV dancing the role of Apollo, God of the Sun, at the age of fourteen; the image of Louis as the ‘Sun King' was carefully cultivated.
Anne of Austria as a young woman was vivacious and attractive, also a noted equestrian, a taste Louis inherited; she had many admirers, including the Duke of Buckingham, although her intimates believed these flirtations remained chaste.
Louis XIV in his early, twenties about the time he began his personal rule. By Nicolas Mignard.
The figure of Reputation holds a medallion of Louis XIV.
The Grande Mademoiselle as Minerva, patroness of the Arts; she holds a portrait of her father, Gaston Duc d'Orléans.
Marie Mancini (right), the first love of Louis XIV, with her sister Hortense; although Cardinal Mazarin was her uncle, he was horrified at the possibility of the King making such a comparatively lowly marriage.
Philip IV greets Louis XIV on the occasion of his wedding to the Infanta Maria Teresa, 1660; her stiff ceremonial attire symbolizes her formal and restricted upbringing at the Spanish court.
Two Queens of France: Anne of Austria with Marie-Thérèse, who was her niece as well as her daughter-in-law, with the Dauphin, from birth a remarkably robust child.
Queen Marie-Thérèse and her only surviving child, the Dauphin Louis de France, by Pierre Mignard.
Anne of Austria, mother of Louis XIV, as a widow (her husband died when she was in her early forties); she retained her love of magnificent jewellery, her bracelets in particular drawing attention to her famously beautiful hands.
The triumphant figure of Louis XIV depicted on a warhorse outside Maastricht, which he besieged successfully in June 1673; a new militaristic image as his plans for conquest increased.
As European opinion turned against Louis XIV and his military ventures became less successful, here were numerous satirical attacks on him. An anonymous engraving of 1693, ‘Louis Retreats with his Seraglio', shows him with a column of ladies behind him.
Louise de La Vallière, the virginal young girl whom Louis made his mistress and who bore him several children; no one described her as beautiful but everyone found her appealing.
Louise de La Vallière as a huntress: despite her seemingly frail physique, Louise was an accomplished rider, something which made her an ideal companion for the King.
Athénaïs de Rochechouart de Mortemart, Marquise de Montespan, who was the King's maîtresse en titre for seventeen years; her beauty, including the curling hair admired by Madame de Sévigné and her large blue eyes, dazzled contemporaries. By Louis Elle Ferdinand II.
Athénaïs reclining in front of the gallery of her château at Clagny; her frequent pregnancies meant that
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