warning that she was scared to listen to. For months now there had been a kind of equilibrium in the marriage. Having acknowledged it was a bad marriage, that they had made a mistake, that they would split up again as soon as the war ended, a sort of friendliness, even kindness, even—perhaps?—a tenderness was established. But while, for Martha, this newrelationship was welcome because it softened an intolerable strain; it seemed that for Anton it meant a new promise. At any rate, three different telephone calls in one afternoon was a language, a demand, Martha could not begin to answer.
Cycling past McGrath’s hotel, she remembered that after all she belonged to a world where people might sit drinking in large rooms, served by waiters; they might dance; they might even eat dinners (bad dinners, but formal, that was something) in restaurants. She would ring up Anton from the foyer and ask him to join her for a drink, and perhaps dinner. He would say humorously: ‘And what are we celebrating, Matty, have I forgotten your birthday?’
He would protest at having to come, but he would be pleased. They could drink for an hour or so, have dinner, listen to the band, and in this way both could forget (Martha hoped) the implications of the fact that practically everything he said, or did, these days, was really a reproach for her not doing, or being, what he now wanted her to be.
Chapter Two
It was almost seven. Martha had been waiting since five. Waiting now being a condition of her life, like breathing, it scarcely mattered whether she waited for an interview or for when peace would be restored—the new phrase, which showed that the old one, ‘when the war ends’, had proved inadequate. She waited with the whole of herself, as other people might pray, yet with even prayer become something to be practised, kept in use merely, since it could be effective only with the beginning of a new life. Waiting for her life to begin, when she could go to England, she waited for ‘the contact from the African group’, and with the same ability to cancel out present time. She read half a pamphlet about Japanese atrocities with an irritated boredom with propaganda which did not mean she disbelieved what she read. She absorbed a column or so of statistics about African education but with the irritation of impotence. She filed her nails, brushed her hair as she never had time to do in her bedroom, ‘fifty strokes on each side’, tidied a cupboard full of pamphlets that dealt definitively with affairs in at least a hundred countries, and finally sat down with deliberately idle but restless hands, on a bench under the window over Founders’ Street.
The heat of a stormy day had drained into the scarlet flush that still spread, westwards, under bright swollen stars only intermittently visible. Hailstones from the recent storm scattered the street and lay on the dirty windowsill, and gusts of sharp cold air drove from racing clouds across the hot currents rising from the pavements. It would be winter soon, the ice seemed promise of it. Martha’s calves sweated slipperily against the wood of the bench, and she sucked abit of ice as an ally against heat, watching her smooth brown skin pucker under the gold down on her forearm into protest against cold. There was a blanket folded on top of the wooden cupboard. The blanket was because friends in the RAF sometimes slept here if they were too late for the last bus to camp. Martha now spread it on the bench against the unpleasant slipperiness of sweat, and wrapped her legs in it. The hailstones, even under a crust of dirt, sent forth their cool smell, and Martha twisted herself about to watch the sky from where the winds of a new storm already poured over the town. Sitting with her back turned, she did not see that Solly had come in, and missed the moment when she could judge why he was here. For a moment the two stared deeply at each other. She broke it by saying: ‘I’m waiting for a man
Greig Beck
Catriona McPherson
Roderick Benns
Louis De Bernières
Ethan Day
Anne J. Steinberg
Lisa Richardson
Kathryn Perez
Sue Tabashnik
Pippa Wright