King Lear

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Authors: William Shakespeare
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one of Gloucester’s eyes. A servant tries to help Gloucester, but as Cornwall fights him, Regan seizes a sword—a symbol of her “unwomanly” power—and stabs the servant. Cornwall takes Gloucester’s other eye as Regan reveals that it wasEdmund who betrayed him. Gloucester thus gains metaphorical “sight” as he is literally blinded. Regan orders Gloucester to be put out onto the heath to “smell / His way to Dover.” She leads the mortally injured Cornwall away. In the Quarto text, the remaining servants discuss Regan’s lack of womanly feeling, offer first aid to Gloucester and vow to get “the Bedlam” (Tom) to lead him to Dover.
ACT 4 SCENE 1
    Edgar argues that even the “most dejected thing of fortune” can still have hope, but then he sees his blinded father and realizes he is “worse than e’er.” Gloucester shows self-awareness when he says that he “stumbled” when he saw, and ironically talks of his “dear son Edgar.” Gloucester blames the gods, to whom men are “As flies,” and who “kill us for their sport.” The old man leading Gloucester recognizes “Poor Tom” and Edgar realizes that he must remain disguised and “play fool to sorrow.” Gloucester wishes Tom to lead him to Dover, despite the old man’s protests, arguing that “ ’Tis the time’s plague, when madmen lead the blind.” Edgar’s pity for Gloucester means that he struggles to maintain his deception. Gloucester asks to be taken to the edge of Dover’s cliffs.
ACT 4 SCENE 2
    Lines 1–31: Goneril wonders why Albany did not meet her. Oswald informs her that Albany has changed—he “smiled” to hear of the French army’s arrival and said “The worse” at Goneril’s return. He refuses to believe Gloucester’s treachery or Edmund’s loyalty. Goneril sends Edmund back, blaming Albany’s change on his “cowish terror.” She gives him a love token and kisses him, telling him to wait for “A mistress’s command.”
    Lines 32–77: Albany and Goneril quarrel. In a Quarto-only sequence, Albany shows new strength as he berates Goneril for her treatment of her father, calling her and Regan “Tigers, not daughters”; she accuses him of cowardice, describing him as “a moral fool.” In the Folio’s edited version of their exchange, Goneril calls herhusband a “Milk-livered man.” A messenger brings news of Cornwall’s death and Gloucester’s blinding; he delivers Goneril a letter from Regan. Albany is horrified and swears revenge on Edmund for his betrayal of Gloucester. Goneril shows mixed feelings at Cornwall’s death—Regan is less powerful as a widow, but she is also free to marry Edmund.
ACT 4 SCENE 3
    In a Quarto-only scene, Kent and a Gentleman inform the audience that France has returned to his kingdom, leaving Cordelia in England. Kent asks for Cordelia’s reaction to his letter. The natural imagery—“Sunshine and rain at once: her smiles and tears”—shows her goodness and contrasts with the darker images of nature associated with Goneril and Regan. Kent comments that the differences between the sisters can only be accounted for by “the stars above” who “govern our conditions,” recalling the comments made about fate and free will by Gloucester and Edmund in Act 1 Scene 2. Lear is in Dover but refuses to see Cordelia because of his “burning shame” at his treatment of her.
    The Folio text moves straight to a scene in which Cordelia marches onstage at the head of her army, informing the audience that Lear has been sighted, still mad, crowned with wildflowers and weeds. Cordelia sends soldiers to find him. A Gentleman (Doctor in Quarto) says that sleep will help Lear and that there are medicinal herbs that will achieve this—a benevolent image of nature that contrasts with the violent storm. A messenger brings news that the British are marching toward them and Cordelia makes it clear that France’s armies are not fighting for “blown ambition”—unlike Goneril and

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