Killing Sarai

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Authors: J. A. Redmerski
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“Really, I am so sorry. My friends and I were…never mind. I’ve got to go.” I turn and start to jog lightly back in the direction I came, leaving her standing there dumbfounded.
    Minutes later, I stand against the side of the truck, my arms crossed as I wait. Two more people walk by, one even nods and smiles at me, but I can’t ask them for help, either. I don’t want to risk it.
    Victor walks up as casual as if he had just come back from an early morning stroll. He opens the driver’s side door again and shoulders his duffle bags. With my back turned to him, I feel his eyes on me from the other side of the truck.
    “You’re a murderous bastard,” I say calmly, nervously pressing my fingertips around my biceps.
    “Let’s get inside,” he says, but then adds as an afterthought, “And if you try to run again or pull anything else, I’ll make sure word gets back about how that friend of yours—Lydia was it?— did help you escape.”
    The truck door shuts with a bang while I stand here paralyzed.
    I willingly follow him into the hotel.
    The lobby is a vast space decorated by skylights and beautiful paintings. A stained glass mural stretches many feet across the mezzanine at the top of the marble staircase. The massive ceilings are held up by tall marble columns. On the inside, this building seems unfitting of the small dusty town that surrounds it. Victor leads me up the stairs after checking in and my interest in the surroundings diminishes with his voice.
    “You can shower if you’d like.”
    He drops one duffle bag on the floor between the beds, the other on the table near the window overlooking the town. His shiny suitcase with what I’m assuming are his guns inside, he sets on the foot of the queen-sized bed closest to the door.
    He reaches up with both arms and opens the curtains wide on the window. It’s getting darker out. I see the faint glow from the few streetlights outside.
    “Victor,” I say, but he stops me.
    “I’d prefer it if you didn’t call me by my name.”
    “Why not? It’s your name. What else am I supposed to call you?” I surprise myself every time I defy him in the slightest way. Because on the inside, I’m utterly terrified of what he might do to me.
    “It doesn’t matter,” he says, sitting down at the table and unzipping his bag. “Just get your shower.”
    “Look,” I say, walking around the beds toward him, “I’m scared. You scare the hell out of me. I’m not going to pretend otherwise. I’m terrified of what’s happening to me—”
    “You have a strange way of showing it,” he says, not even offering me the luxury of his eyes. He pulls out a digital device of sorts, smaller than a laptop. “I would say you’ve been too numbed by trauma to let it affect you the way that it should.” He sets the device on the tabletop and then the duffle bag on the floor beside his feet. I think the device is one of those digital tablets.
    I swallow, rounding my chin. “Maybe I have. Somewhat. But what does that have to do with me calling you by your name?” What he accuses me of is spot on, but what I’ve been through is none of his business. Not unless he intends to help me, which we’ve already established as being nothing more than wishful thinking. “And why do you care?”
    “I never said I did.”
    “Then don’t probe,” I snap.
    The mere fact that he won’t even look at me half the time when he’s speaking to me, makes me angry. And the more he does it, acts as if I’m not worth looking in the eye, the more it infuriates me. And when I get mad, I always cry. It’s how I’ve been for as long as I can remember. And I hate it. I never shout or curse or hit things or people. I cry. Every damn time.
    As the tears start to well up in my eyes, I turn my back to him and march quickly toward the restroom. But I stop and turn around to face him once more, my fingernails digging into the palms of my hands down at my sides. “Go to hell!” is all I can say,

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