against the cold in their private tents, others kicking a soccer ball around in front of the derelict farm house. Each gaggle of kids has an adult woman in charge of them.
Lilly looks back out the exit and sees Megan Lafferty, way in the distance, sitting perched on the porch of the burned-out house, pretending to be babysitting and not smoking pot. Lilly shakes her head. Megan is supposed to be watching the Hennessey kids. Jerry Hennessey, an insurance salesman from Augusta, has been carrying on with Megan for days now in a not-too-discreet fashion. The Hennessey kids are the second-youngest kids in the encampment—at ages eight, nine, and ten respectively. The youngest children in the settlement are the Bingham twins and Ruthie, who at this moment pause in their play to stare impatiently at their nervous babysitter.
“C’mon, Lilly,” Sarah Bingham calls out with her hands on her hips, catching her breath near a stack of fruit crates. The teenager wears an adorable, stylish imitation-angora sweater that breaks Lilly’s heart. “Keep singing.”
Lilly turns back to the children. “I’m sorry, sweetie, I just—”
Lilly stops herself. She hears a noise coming from outside the tent, from up in the trees. It sounds like the creaking bulwark of a listing ship…or the slow squeak of a door in a haunted house…or, more likely, the weight of a zombie’s foot on a deadfall log.
“Girls, I’m—”
Another noise cuts off Lilly’s words. She spins toward the tent’s opening at a loud rustling sound, which rings out from the east, shattering the stillness a hundred yards away, coming from a thicket of wild rose and dogwood.
A flock of rock pigeons suddenly takes flight, the swarm bursting out of the foliage with the inertia of a fireworks display. Lilly stares, transfixed for a single instant, as the flock fills the sky with a virtual constellation of gray-black blots.
Like controlled explosions, along the far edge of the camp, another two flocks of pigeons erupt. Cones of fluttering specks punch up into the light, scattering and re-forming like ink clouds undulating in a clear pool.
The rock pigeons are plentiful in this area—“sky rats” they’re called by the locals, who claim the pigeons are actually quite delicious if boned and grilled—but their sudden appearance in recent weeks has come to signify something darker and more troubling than a possible food source.
Something has stirred the birds from their resting place and is now making its way toward the tent city.
This is a work of fiction. All of the characters, organizations, and events portrayed in this novel are either products of the authors’ imaginations or are used fictitiously.
THOMAS DUNNE BOOKS.
An imprint of St. Martin’s Press.
THE WALKING DEAD . Copyright © 2012 by Robert Kirkman and Jay Bonansinga. All rights reserved. Printed in the United States of America. For information, address St. Martin’s Press, 175 Fifth Avenue, New York, N.Y. 10010.
www.thomasdunnebooks.com
www.stmartins.com
Library of Congress Cataloging-in-Publication Data
Kirkman, Robert.
The road to Woodbury / Robert Kirkman and Jay Bonansinga.—1st ed.
p. cm.—(The walking dead series; no. 2 of 3)
ISBN 978-0-312-54774-5 (hardcover)
ISBN 978-1-250-01344-6 (e-book)
1. Zombies—Fiction. 2. Atlanta Region (Ga.)—Fiction. I. Bonansinga, Jay R. II. Title. PS3611.I7555R63 2012
813'.6—dc23
2012028306
This is a work of fiction. All of the characters, organizations, and events portrayed in this novel are either products of the author’s imagination or are used fictitiously.
THOMAS DUNNE BOOKS .
An imprint of St. Martin’s Press.
JUST ANOTHER DAY AT THE OFFICE . Copyright © 2012 by Jay Bonansinga. All rights reserved. For information, address St. Martin’s Press, 175 Fifth Avenue, New York, N.Y. 10010.
www.thomasdunnebooks.com
www.stmartins.com
Cover art by Lisa Pompilio
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